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"Yaffa Levan" Painting

Christopher Stacey

United Kingdom

Painting, Oil on Linen

Size: 25 W x 36 H x 1 D in

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
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Each of my works in this and other series, seek to embrace the luminous quality of living. That in living, there is vulnerability and in that, a quiet ferocity. There is a continuity in these works that approaches flesh, skin, sex. A defiant impermanence. Unerringly analogue, they are glimpsed digit...

Year Created:

2002

Subject:
Mediums:

Painting, Oil on Linen

Rarity:

One-of-a-kind Artwork

Size:

25 W x 36 H x 1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I attended Chelsea School of Art, alongside Mariko Mori and Chris Ofili. There I began my fascination with the raw, violent, muddy nature of what I saw and sought means of showing its beauty. I wanted to make beautiful things, and as YBA established itself, I would have to wait. So, I worked for Gilbert & George for some years. Their eloquent but uncompromising vision politely registered as absolute, twisted sense to me. As I continued working for Jay Jopling & Charles Saatchi, I moved to rural Essex and began painting again, settling on a pastoral theme, toying with a romantic, folk aesthetic and made a series of paintings “English Electric”. These paintings sought to gently deconstruct the English landscape and our relationship with it. I sought to uncover the sublime, brooding earth and playfully reconstruct it on canvas. These works sold immediately and widely and are held privately in the United Kingdom, United States and New Zealand. 10 years were subsequently foolishly spent in business in London and Cambridge, two spent travelling in Italy, finally returning to the studio in 2013 completing “How to Be a Girl”, a series that introduced the recurring themes that I pursue now. I quickly became a finalist in the Young Masters’ Art prize and sold work throughout Europe and the United States. Each of my works in this and other series, seek to embrace the luminous quality of living. That in living, there is vulnerability and in that, a quiet ferocity. There is a continuity in these works that approaches flesh, skin, sex. A defiant impermanence. Unerringly analogue, they are glimpsed digitally, works born from home images stranded in flash photography, serendipitously found or taken from a train window. They reveal a politics of impossibility, they are radically tender. Once complete, they are welcomed back to the world. Only four works remain, those that you see here. The others were swept up in the heady fizz of the London/New York Art Market some years ago, these now are offered as I move to writing, back to University.

Artist Recognition
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