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View In My Room
Painting, Oil on Canvas
Size: 8 W x 8 H x 1 D in
Ships in a Box
221 Views
0
Artist featured in a collection
I created this piece for it's humor. When viewing 2-D work, we only see one side of the canvas. The backside is always hidden. I find this to be a perfect symbol of time that we can't see as well, like the tomorrow that hasn't happened yet, or the breakfast I enjoyed 5 years ago, but can't remember specifically what it was that I ate. Time is lived, but much more time than I can observe or document. So I painted this as my laughter at the irony of "missing out" on my own observations. I posted this painting on FB and it received 9,000 clicks, 23 comments some of which were quite controversial, and 45 shares over 7 days.This piece has finished edges and is ready to hang.
2016
Oil on Canvas
One-of-a-kind Artwork
8 W x 8 H x 1 D in
Not Framed
Not applicable
Ships in a Box
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I tell people that I paint God’s mistake because my art evolves from a paranormal moment I had in 1995 where I was told GOD IS FORGIVEN. I know my slogan is controversial whether you are deeply religious or the opposite such as atheist. Yet my work is not about God, religion or atheism. My art is about the trauma associated with the inescapable relationship that mortality has with innocence. Our birth is not the intent of mortality, but it necessarily creates our personal annihilation. This personal destiny leaves each of us vulnerable to condemning our connection with innocent others who “created us to die” without our permission. Our “error” is our ownership of blame for mortality which is not the power over death; it is our power over cruelty. This inescapable destiny is where my art begins its expression(s). MY ART I use the ancient form of 2-D art to represent TIME as broken yet unfinished and continuing. Like the backside of a hung painting, we are absent before our birth and brought into reality through “others” who have marked our canvas of life already. Once born we see ourselves reflected on the "front side" of life yet witness our previous absence. My art examines this division as the relationship between hope and trust relevant to innocence. The change that each of us becomes by birth is a natural expression from life that we can perceive as a tradition of change. My art celebrates this with my rotation of mediums, vivid colors, energetic brush strokes, narratives of time-conflict, emotional dichotomies, vortex compositions showing our inescapable connection to a fractured reality, rhetorical word-play, and weapons symbolizing our relationship with mortal vulnerability. My “signature” is broken mirrors that capture the WITNESS as part of my art reminding us of our entitlement to mortal choice and innocence.
Artist featured by Saatchi Art in a collection
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