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"You Never Can Tell #1" Painting

Rachel Francis, Canada

Painting, Acrylic on Canvas

48 W x 36 H in

Ready to Hang

$5,620

Shipping Included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This work was inspired by a still shot from the film Marius and Jeanette published in Mediterranean, from Homer to Picasso, by Xavier Girard. The title You Never Can Tell # 1 is a line from Chuck Berry's Teenage Wedding. It is part of a series of works that look backwards.

Year Created:

2023

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

48 W x 36 H x 1 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Canada.

Need more information?

Need more information?

Artist’s Bio Rachel Francis is a visual artist living and working in Toronto, Canada. Rachel was born and raised in Guyana. She moved to Canada when she was 17. She was educated in Canada at the University of Toronto and Osgoode Hall Law School, York University. She has studied art with Canadian Artist, Martha Johnson and at Ontario College of Art with several teachers including Luca Bogdan. Emigration has left its imprint on her. When she is not painting she is working on her “fortress” -family life, poetry, art history, politics, dogs and travel. Rachel’s artwork is held in private collections in Australia, France, the United Kingdom, the United States and Canada. Artist’s Statement Painting is for me a kinesthetic activity. E.H. Gombrich’s says we interpret and code the experience of our fellow creatures not visually but in muscular form. Painting has taught me that he is right. It is the foundation on which I find my answer to that age-old question of “how I know a painting is finished?” My answer is that I know it is finished, when I experience an almost kinesthetic empathy with its subject. I think what Jane Hirschfield says about poetry can be also said about the visual arts, a poem she says "plucks the interconnection of the experiencing self and all being” (Ten Windows, 2015)”. The same can be said about a painting.

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