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Your Complexion is my Pronoun Painting

Fabio Delisi

Malaysia

Painting, Oil on Canvas

Size: 39.4 W x 29.5 H x 0.4 D in

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SOLD
Originally listed for $1,100

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ABOUT THE ARTWORK

We cant’s simply be identified by categorizing our skin complexion or our sex or sex orientation. Complexions are endless strolls across the hues and values of the palette as much as the sexes and transgender options are made of infinite nuances. Skin complexion is never actually white or black or red or yellow and no one may be identified by just one single pronoun. Categorizing simplifies by raising barriers and complicating fluidity of personal and interpersonal life giving way to misconceptions and abuse. As the say goes, racism is not the child of race, but race is the child of racism. Paint me by the colour you like call me by the pronoun you wish to, it won’t change who I am, who we are. Glazing oil painting on fine grain cotton canvas, triple gesso primed.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

39.4 W x 29.5 H x 0.4 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have spent the first years of my life between Brazil, where I was born, and Argentina before moving to Rome Italy. I have always been a compulsive traveller; during my many forays into the far east I have been captivated by the tremendous energy and promises of Southeast Asia. By the end of 1990 I have permanently settled in Malaysia where I have lived ever since. Southeast Asia is one of the richest arts areas of the world. The profound religious and philosophically intense world view, coupled by dramatic landscapes vivid with colours enveloped by tropical mists, creates the right atmospheres for continuous soul searching. These atmospheres have inspired and encouraged me to take on the brushes. The nature of my work is varied and inspired by existential themes, social issues, and political events. It is often accompanied by poetry. I work mostly with oil and acrylic on canvas and wood and my style includes various elements of modern, surrealism, pop and cubism. I take great inspiration from David Hockney work. I generally get busy with whatever inspires my observational curiosity whether in real life or reproduced by photography. Moods are central to the choice of the subject, so it has a lot to do with my different emotional states. A permanent vacillation between abstract and figurative. I am drowned by lines and colour. Sometimes I see clearly, some other times I am caught in a tangle of lines, shapes, light, and shades. With my work I wish to inspire considered thoughts and touch whoever looks at my work, sensibilizing them on existential as much as social issues.

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