"Your patronage is my debt" Painting
Painting, Acrylic on Canvas
39.4 W x 39.4 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
International shipping takes up to 10-14 business days
$945
Shipping Included
14-day free returns
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
My primary inspiration is pure rage against the system's hypocrisy. My muse is dirty money and the creative accounting that masks tax evasion as collecting, along with the inherited privilege of artists who lack talent. I want the buyer to feel a sharp sense of discomfort and self-recognition, as th...
Year Created:
2025
Subject:
Styles:
Mediums:
Painting, Acrylic on Canvas
Rarity:
One-of-a-kind Artwork
Size:
39.4 W x 39.4 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Spain.
Customs:
Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Need more information?
El Niño Flaco Mr. Mecenas (The Skinny Boy Mr. Patron) operates as a conceptual provocateur and an unforgiving critic of the art establishment. His work is an unrelenting manifesto against the art world's financial bubble, tax evasion disguised as patronage, and the privileged mediocrity of the elite. Utilizing cold, bureaucratic graphics (invoices, documents, and slogans), he strips art of all romanticism to expose its true value: the transaction and the dirty money it launders. Each piece is designed as a mirror to reflect the immorality and cynicism of its buyer. El Niño Flaco Mr. Mecenas does not seek beauty or admiration; he seeks direct accusation and confrontation. His collection is a conceptual Trojan Horse: the collector purchases the very object that condemns them, making the act of buying the final, most ironic step of the performance. His job is simple: to make shame expensive.
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