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I paint a sort of ecosystem where artifacts and natural objects are mingled on the canvas. A mannequin as a representation of something real and a real thing itself seems to blur the distinction between reality and fantasy. Are artificial objects and natural ones distinctive in the scenes from postmodern life? Mannequins might habour in the real world as if they were a biological species and communicate with people by means of products. The mannequins I have painted would provide insight of impossibility of communication with their vestigial sensory organs. On the other hand, they could open up the possibility to communicate beyond sensory organs, or a transcendent communion surpassing spoken words. To me, mannequins are the object of undecidability.(by Jinho Kee)
Oil on Canvas
One-of-a-kind Artwork
17.9 W x 20.9 H x 1 D in
Not Framed
Not applicable
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South Korea.
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South Korea
Artist from South KOREA. Jinho Kee has held 18 times’ solo exhibitions and got several Public Contests. Around 200 times he participated in various Planned Exhibitions. Now he is a member of Korean Fine Arts Association.
Artist featured by Saatchi Art in a collection
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