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composizione_30_23 Painting

salvatore balice

Italy

Painting, Acrylic on Canvas

Size: 39.4 W x 39.4 H x 1.2 D in

Ships in a Crate

SOLD
Originally listed for $1,940

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Stillness and motion amidst of deconstructed structures where the darkest hour gives way to light ...

Year Created:

2023

Subject:
Medium:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

39.4 W x 39.4 H x 1.2 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

A journey into the expression of the sensations produced by observing the chaos, distortions and silences of the anthropized environment. Born in Bari, capital of the Apulia region in the south of Italy, I’m a multidisciplinary artist with a background of architectural interior designer. My works originate from observing the anthropized environment. My gaze focuses on the gradual disappearance of beauty in the majority of architectural structures, now daughters of modernization and capitalist accumulation, on the disfigurement of the territory and the environment, as a consequence of hyper-productivity and the ever-increasing unbridled consumerism, as well as on the consequent "ugliness" of the individual/person. Through abstract forms and compositions expressed with different means, I want to convey what Simonides defined as silent poetry...

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