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Signed and dated on the back - limited edition number
4 mm thickness
Certificate of authenticity - limited Edition
In my Studio: photography of the work

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covert and discovered history 96 - Limited Edition 13 of 50 Painting

Günter Konrad

Austria

Painting, Digital on Aluminium

Size: 23.6 W x 31.5 H x 0.2 D in

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$840

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2276 Views

89

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ABOUT THE ARTWORK

Collage: Photo on Aluminium and Other. Photo print on aluminium backing 60 x 80 cm Günter Konrad 2014 digital decollage, digital overpainting, Signed and dated on the back. Limited to 50 pieces. Fujicolor Crystal Archive Paper - highest quality paper for gallery prints - last longer and minimise fading - brilliant colors for 75 years - laser exposure system (Durst Lambda) A solid aluminium backing - 3 layers - brand quality from Germany - Lumabond Pro III® - using a special adhesive - using a precision CNC cutter Hanging elements included - includes hooks and spacers - i even affix them for you - you can hang your work immediately Keywords: Günter Konrad, Guenter Konrad, Digital Decollage, Digital Overpainting, covert and discovered history, fine street art Keywords: portrait, fine art, Pop art, street art, Günter Konrad, Guenter Konrad, Digital Decollage, Digital Overpainting, Bonaparte crossing the Grand Saint-Bernard Pass

DETAILS AND DIMENSIONS
Painting:

Digital on Aluminium

Artist Produced Limited Edition of:

50

Size:

23.6 W x 31.5 H x 0.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Fragments get a new code. The best subversion is to disfigure codes instead of destroying them. see - Roland Barthes - In my artistic work I am talking about the ongoing change, connection and communication between the inner and outer worlds, and about the inevitable bond between art and human life in general. I feel drawn to the tension between opposites, the grey areas between black and white, the confusion and contemplation, stereotypes and prejudice. Décollages - ripped or lacerated posters - are part of everyday aesthetics. In their wildness, rejection can be deciphered - a manifestation of the spontaneous and direct expression. Artists like Raymond Hains and Jacques Villeglé recognized the quality of this un-conventional form of art. I try to transform this method into our contemporary digital age. I‘m currently working on a series of digital décollage and digital overpaintings titled „covert and discovered history“. Here I merge digitalized, famous single works of art history with my own photographs of anonymous, collective decollages, tags and urban fragments. In the melting pot of bits and bytes I liquefy the contrasting codes and add them together to a new whole. On the one hand you have the art historical artifacts of high culture from the past eras and on the other hand the wild, unbridled, credible expression, the codes, the inscriptions of the current visual grammar combined with my own paintings and writings. My aim is to connect those two antithetical approaches to art in my work and so create something utterly new.

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