grayscale Painting

Contemporary urban space is a series of confusions. Controlled by capital, it is disintegrated and mankind loses is humane aspects. The social structure in these urban spaces forms a social space, transplant in people’s minds the rules of space and oppresses people. The conflict between social space and mankind led to exclusion, lack, spatial diseases and inequality. Amidst these developments, people become standardized and ambiguous. As such, the social psychology of mankind has changed due to progress in capitalism and urban space. This has raised questions about the identity and existential meaning of mankind. 
This author has applied this perspective of the phenomenon to the space of painting. This space is both a virtual space and an ambiguous one. Consisting of events, it forms a narrative space. Using the image of the space that actually exists, such as mis-en-scene, reenactment and reproduction are carried out on the canvas. A reproduced space lacks real substance and is characterized by anonymity. The author injects subjective thought and emotions to reenact human psychological space and took on a different view towards urban space. 
There are not only negative existence in contemporary urban life. There are the numerous people who live in the numerous urban spaces and their mental and psychological statuses. Because of this, the definition and critique of such issues can be overgeneralization. But instinctively mankind has a desire for space. Such a desire produces space but it also restrains them to the space and affects their psychology. A repetition of such situations are constantly projected onto the space in the art work.