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homage to Rowland Hilder: snow scene Painting

Felix Felbermayer

Austria

Painting, Watercolor on Paper

Size: 22.4 W x 14.2 H x 0.1 D in

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Originally listed for $810

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ABOUT THE ARTWORK

Inspired by Rowland Hilder's captivating compositions, their colouring and richness in structure as well as tonal complexity I chose to "copy" this particular painting. I put the word "copy" in quotations mark partly because I contend that I do not consider this type of work as a slavish reproduction of an existing painting, but rather as a meticulous and intense involvement with one particular painting I felt drawn to. Secondly, I try to avoid it out of sense of respect towards the artist while aspiring, perhaps feebly, to his skill and mastery, knowing, of course, that one might deem this very avoidance as sign of vanity badly concealed by false modesty. I prefer using the term "homage" nonetheless.

DETAILS AND DIMENSIONS
Painting:

Watercolor on Paper

Original:

One-of-a-kind Artwork

Size:

22.4 W x 14.2 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born and raised in Vienna, I was trained at the "Künstlerische Volkshochschule Lazarettgasse" in naturalistic, portrait and figure drawing for several years, and was taught oil as well as watercolour painting techniques. Later, I studied Classical Philology and Philosophy at the University of Vienna. My two great passions are visual art and literature. Having said that, I think it necessary to say that I do not mix up my interests in literature with my painting, but rather let them stand and thrive separately. Yet, although my literary and theoretical training may not have an impact on my visual artworks, it plays a crucial role in my artistic thinking, for it helps me to find a way through the sheer impenetrable jungle of contemporary art theories, concepts and ideas that shape our modern thinking of what "good" art is or ought to be. Even if I use a variety of different media and materials, I have a unique and very deep passion for watercolour. This is the medium I discovered first as a child, this is the medium I learned with how to represent reality. Since then, of course, my style expanded beyond realism. Now and then, however, I return to it. But my love for watercolour is still the same. It is my aspiration to find a completely new form, a new visual language for watercolour, as it were, because, looking at watercolour painting today, I surmise that most of it seems stuck somewhere between a formulaic form of realism and an odd revival of expressionism.

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