without Painting

In the childhood I painted a lot and I liked to dress beautifully, therefore after graduation from high school, I have entered in Moscow State Textile University at the Faculty of Applied Arts. There I got excellent knowledge drawing and painting thanks to which I have learned painting the most difficult things. After graduation from the University, I worked for many years in Fashion House as the Chief Fashion Designer "Prêt-à-Porter" and "Haut Couture". My collections of clothes were shown in Europe Russia (Moscow), Hungary, Czech Republic, Poland, Greece, Cyprus (Nicosia),etc. For several years before I have moved to live to Europe, I was invited as Professor to the department of Applied Arts in the International Academy of Audio and Visual Arts, where I taught students painting, drawing, composition, art graphics and costume history. All this time I continued to paint pictures. Thus I collected rather big collection of my own works. Then my personal exhibition has been organized as an artist-painter which passed with great success. The next personal exhibition took place in Portugal. It was widely lit in the press and on local television. Now I live in France. I am a member of the association "Art We Can" and member of the Community GemlucArt Monaco. I am engaged in creativity, participate in exhibitions. My paintings are in a private collections. My works are a reflection of my soul. I'm a romantic and a dreamer. I am in a constant creative state and research also I can pass from realism to abstraction and vice versa. It is interesting to me to experiment, find new forms, work with different materials and in different techniques such as oil on canvas, acrylic, gouache, ink, pastel and etc.; also I work with fabric and I create pictures on fabric. My works often reflect the theme of fashion. On what a theme and what materials I wouldn't painting the picture in all these works will be traced my own style. Each work is a unique and unrepeatable creation. I like to do abstract painting, but at the same time I like to work with a line and a point, more precisely with drops of paint, which I then stretch to lines of various thicknesses. It is very similar to how a chef with a Michelin star decorates a dish with sauces, but in my case this technique is my own technique and the conceptual idea of my abstract painting. Its beginning lies in the paintings of Khokhloma and Zhostovo, on which I worked in the 70s of the 20th century.