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Bates Motel I (Last Picture Show)
Proof b4 Printing, 38x36cm, 2005
analog C-Print, hand-printed by the artist, 
based on a Polaroid, signed on front.

This is a raw analog C-print, hand-printed by the artist..
The proofs are part of the printing process. They are usually the few last color trials before printing the edition. They are usually not perfectly color corrected yet. Sometimes a proof might be close in color but we still have to re-print to bring everything together. Proofs are by definition imperfect and part of the natural evolution of a print. Sometimes there is no white border or a kink. A proof is a proof of one step on the way to making a print edition.They are by definition, imperfect. Wabi Sabi.

This print is very close to the final print. 

“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)

Stefanie Schneider lives and works in Los Angeles and Berlin

Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters.

Schneider works with the chemical mutations of expired polaroid film stock and embraces them. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction.

Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto-Triennale Esslingen.
Bates Motel I (Last Picture Show)
Proof b4 Printing, 38x36cm, 2005
analog C-Print, hand-printed by the artist, 
based on a Polaroid, signed on front.

This is a raw analog C-print, hand-printed by the artist..
The proofs are part of the printing process. They are usually the few last color trials before printing the edition. They are usually not perfectly color corrected yet. Sometimes a proof might be close in color but we still have to re-print to bring everything together. Proofs are by definition imperfect and part of the natural evolution of a print. Sometimes there is no white border or a kink. A proof is a proof of one step on the way to making a print edition.They are by definition, imperfect. Wabi Sabi.

This print is very close to the final print. 

“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)

Stefanie Schneider lives and works in Los Angeles and Berlin

Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters.

Schneider works with the chemical mutations of expired polaroid film stock and embraces them. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction.

Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto-Triennale Esslingen.
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Bates Motel I (Last Picture Show) - Limited Edition of 1
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Bates Motel I (Last Picture Show) - Limited Edition of 1 Photograph

Stefanie Schneider

United States Minor Outlying Islands

Photography

Size: 14.6 W x 14.9 H x 0.1 D in

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About The Artwork

Bates Motel I (Last Picture Show) Proof b4 Printing, 38x36cm, 2005 analog C-Print, hand-printed by the artist, based on a Polaroid, signed on front. This is a raw analog C-print, hand-printed by the artist.. The proofs are part of the printing process. They are usually the few last color trials before printing the edition. They are usually not perfectly color corrected yet. Sometimes a proof might be close in color but we still have to re-print to bring everything together. Proofs are by definition imperfect and part of the natural evolution of a print. Sometimes there is no white border or a kink. A proof is a proof of one step on the way to making a print edition.They are by definition, imperfect. Wabi Sabi. This print is very close to the final print. “I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster) Stefanie Schneider lives and works in Los Angeles and Berlin Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired polaroid film stock and embraces them. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto-Triennale Esslingen.

Details & Dimensions

Photography:Polaroid on Other

Original:One-of-a-kind Artwork

Size:14.6 W x 14.9 H x 0.1 D in

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Stefanie Schneider
Stefanie Schneider

United States Minor Outlying Islands

Stefanie Schneider lives and works in the High Desert of California. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream-scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. She is currently working on the 29 PALMS, CA. 29 PALMS, CA is a feature film / art piece that explores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert. A defining feature of the film is the use of still images and the use of voice over. Characters talk to us / themselves / you about their ambitions, memories, hopes, fears and dreams. The film is to be shot using a mix of super 8 and 16mm film stock and Polaroid images. Certain computer-generated effects will also be used to enhance the films surreal mood and to animate its dark humor. Radha Mitchell, Marc Forster, Udo Kier, Max Sharam among others are participating in the project. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles. www.twentyninepalms.ca and/ or www.instantdreams.net

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