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View In My Room
Photography, Digital on Paper
Size: 27.6 W x 39.4 H x 0.1 D in
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349 Views
1
In the series "Till Death Do Us Part, Beds and Dreams," formal facets of marriage unfold, from wedding photos to daily life intricacies. The bed, symbolic of individual and conjugal diversities, becomes a canvas for exploration, portraying the delicate dynamics of the marital bond. "Beds and Dreams" depicts life with a partner as a brutal imprint, void of tangible proof, shaped by differences and delays, evolving through aligned moments and subtle slips of emotional states. Unlike the triptych "She Bathed Regularly," these cycles offer an atrophic visuality, an anthropological interplay of contact and distance, exploring sensuality and narratives of purity and impurity, seeking the Self in transient individuality, while revealing the apotheosis of love and humanity. Since 2002, these cycles navigate intimate records, sites of fatal symmetry between the Self and its Other, unravelling complex social interactions from the Modern Age to the present. The visual tapestry merges raw imprints with material aspects, transforming memorabilia into objects oscillating between reliquary and portraiture. Symbolic gestures of the living intertwine with those of the departed, creating a poignant chronicle of time within the internal realm of pain, desire, and the enduring quest for love.
Digital on Paper
20
27.6 W x 39.4 H x 0.1 D in
Not Framed
Not applicable
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My artistic creations manifest the nuanced tension that permeates the junctures between life's unyielding realities and the impulsive stirrings of creativity, often materializing as ambivalent projections oscillating between the tangible and the fantastical. Central to my inquiry are fundamental questions probing the essence of my existence – why does my life unfold as it does, what emotions stir within me, what propels me forward, and how does it manifest visually? I craft introspective dialogues that traverse the realms of the internal and the external, the ethereal and the corporeal. The body, in my oeuvre, serves as a medium, transmitting profound meanings across the diverse stages of life – navigating the complexities of growth, maturity, motherhood, and the inexorable march of time. While my works stem from the autobiographical, constituting imprints of the soul and windows into self-awareness and revelation, they transcend individual narratives. They metamorphose into metaphors encapsulating the universal struggles and challenges faced by women at large. These creations, seemingly a resonant voice of feminist consciousness, extend beyond, resonating as a desperate plea for sustenance in the arid expanse of contemporary society, marred by prejudices against women and their societal standing. In my artistic practice, I deem digital media the most fitting conduit for my ideas. Its emergence has not only shifted the emphasis from manual to conceptual authorship but also aligns seamlessly with my artistic rhythm and cognitive processes. This choice is a deliberate embrace of a medium that echoes the contemporary zeitgeist and provides a fertile ground for the exploration of complex themes. Maya Simic is a Belgrade-based visual artist and Professor at the Printmaking department of the Academy of Arts in Novi Sad. She has been creating intermedia works of printmaking, photography and video art since the late nineties. Maya graduated in 2002, received her Magistra of Arts degree in 2005 and her PhD in 2020 at the Faculty of Fine Arts in Belgrade. Since 2001, she has exhibited internationally at 13 solo and more than 150 group exhibitions across Europe, the USA, China and South Korea.
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