View In A Room
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VIEW IN MY ROOM
VIEW IN MY ROOM
Size: 27.6 W x 27.6 H x 1.2 D in
Ships in a Crate
Artist featured in a collection
Featured in the Catalog
Showed at the The Other Art Fair
This is a photo of a residential building for elderly people in Amsterdam. In this colorful housing complex they can live on their own, but in case they need help they can get assistence at the push of a button. The balconies in all their different appearances create a beautiful cubistic garden that represents the many different backgrounds of its inhabitants. No. 2 of a limited edition of 8, personally signed and certified Limited edition photographic print on high quality paper behind plexiglass (Diasec). The plexiglass provides remarkable depth and brilliance to the art work. For extra stability it has an aluminum Dibond base and it comes with an aluminum frame for direct wall mount. Different size or finish? If you are looking for another size or alternative technique, please contact the Saatchi Art team: they will check with me.
Photography Print:Color on Aluminium
Artist Produced Limited Edition of:1
Size:27.6 W x 27.6 H x 1.2 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Artist's studio in Netherlands.
Paul Brouns (1967) is a photographing artist living near Amsterdam. Observing the urban world, he is attracted by the abstract, rhythmic poetry of buildings. Available in limited editions, his work has been exhibited worldwide and sold to collectors, ranging from Tokyo, Seoul and New Delhi, to New York, London and Amsterdam. In the series "Urban Tapestries" façades are captured frontally, filling the entire composition. Because of their simplicity and shallow depth, attention is drawn to rhythm, colour and light on the surfaces. Its counterpart is the "Perspective Play" series. In these works visual depth and converging lines of perspective are used to fill the image plane with repeating elements. In both series sometimes photographic images are manipulated. Expanded surfaces and enhanced feelings of scale give the work a hypnotic attraction.
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