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View In My Room
Photography, Digital on Paper
Size: 30 W x 30 H x 0.1 D in
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55 Views
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I started this series of photographs thinking of it as a sort of journal, documenting whatever caught my interest on my daily walks. I’m attracted to the colors and forms I see everywhere and while each individual picture has something in it of interest, it’s the assemblage of 9 (or more) images that highlight and complement the elements within each. For me, the whole is greater than the sum of the parts. For this particular piece I went back in my files to an experience in which I helped out with the recovery of the skeleton of a Blue Whale for eventual museum display. The whale sadly died along with several others when sea ice in the Gulf of St. Lawrence was packed tight by storm winds and the animals couldn’t reach the surface for air. Prints are made on museum grade, 305 gsm, Hahnemuhle Fine Art Paper or similar quality paper. Image size is 30”x30” with a 3” white border on all 4 sides, resulting in a finished size of 36”x36”. Smaller or larger prints are possible- please contact me at to discuss options.
2020
Digital on Paper
15
30 W x 30 H x 0.1 D in
Not Framed
No
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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Peter Root has been making art all his life though until recently, this was a parallel passion to his career as an architect and his work in facilities management at private colleges and universities including the University of Southern California, Stanford University and Amherst College. Born in Florida and raised in southern California with periods in Paris, France, he now lives with his wife and dogs in Vermont. His interest in painting and making art and his background in architecture come together in his sculpture paintings. These sculpture paintings are layered, not unlike an architect’s topographic map is layered- discrete segments roughly corresponding to their relative elevation or relief are cut out of plywood, assembled with a variety of structural elements and then the whole is painted. The current body of work is mainly (life size and larger) portraits however he doesn’t see himself strictly as a portraitist. “People are endlessly fascinating to me although for my art, I’m not trying to represent a specific individual so much as depict a gesture or expression to convey both a sense of a real person as well as a casual emotion that many people might connect with in themselves.” On the face of it (no pun intended) this work may not conjure up a connection to cubism but in fact Peter is really attracted to the problem of time and point of view in a static image. “There is no single viewpoint in which the viewer is able to take in the whole work. As one moves around, the impression received is constantly changing.” The canvas paintings are obviously more conventional portraits but in a sense, and with all due respect to the models for whom he has enormous appreciation and respect, Peter sees these works as faster and more spontaneous studies in light, form, scale and color which ultimately feeds back into the sculpture paintings. For more information, to see additional works or place an order for a limited edition, signed reproduction, please visit:
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