75 Views
9
View In My Room
Photography, Ink on Paper
Size: 37.5 W x 27.5 H x 0.1 D in
Ships in a Box
75 Views
9
Showed at the The Other Art Fair
Artist featured in a collection
Concrete Visions is a captivating art collection that delves into the mesmerizing world of high-contrast black and white street photography, focusing on the interplay between concrete structures, geometric shapes, silhouettes, and shadows. This collection of photographs invites viewers to see the urban environment from a fresh perspective, emphasizing the beauty and drama found in the stark contrasts of light and dark. On a warm summer day in July 2020, amidst the imposing Brutalist architecture of the Robert C. Weaver Federal Building in Washington D.C., a moment of quiet contemplation unfolded. In the midst of the stark concrete landscape, a lady found solace in a cylindrical concrete seat. Her presence juxtaposed against the rigid lines of the building, serving as a testament to the harmony between human spirit and the unyielding urban environment. As the sun cast gentle rays upon her, she seemed like a lone beacon of life amid the monolithic structure. Perhaps lost in thought or simply enjoying a peaceful pause, her presence embodied resilience and grace in the face of a formidable world. The photograph captured not only the raw beauty of Brutalist design but also the essence of human connection, a fleeting moment of stillness amid the bustling heart of the city. Brutalist Cylinders-. Edition 2 of 10. This is an archival pigment print on premium Fine Print Baryta paper and framed with matte black. Prints are signed and numbered by the artist on verso and come with a certificate of authenticity. Robert C. Weaver Federal Building, Washington DC, July 14,2020 Signed, au verso Printed in 2021 Fine Art Baryta Paper Print 29.5 x 19.5-inch print 37.5 x 27.5 inch framed Edition of 10 (two /10) FR-BCA-02
2023
Ink on Paper
10
37.5 W x 27.5 H x 0.1 D in
Black
Yes
Ships in a Box
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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Ismayil Atmaca is a Toronto-based visual artist originally from Edirne, Turkiye. Self-taught and highly experimental, Atmaca specializes in natural light photography, working predominantly in black and white, monochrome, and color photography. His work, heavily influenced by his first camera from Germany, often explores the drama and emotion of urban environments through high-contrast imagery, geometric shapes, and abstract compositions. Atmaca's notable series, such as "Concrete Visions" and "The Glitch Series," challenge traditional norms by merging surrealism with urban photography. As a Visual Artist, The Glitch Project merges technology, nature, and art to prompt reflection on reality. Combining wooden columns with digital imagery, including my own photos, offers a modern take on traditional art. It aims to intrigue viewers, urging them to contemplate the convergence of natural and digital domains. Through high-quality printing and a sophisticated frame, the artwork endures and invites personal interpretation
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Chicago, Dallas
Artist featured by Saatchi Art in a collection
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