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Cartoon Cavalcade - The Pentland Experiment - Limited Edition of 1 Photograph

Norrie Harman

United Kingdom

Photography, New Media on Aluminium

Size: 43.3 W x 30.2 H x 1.2 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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The Pentland Experiment is a specially selected collection of Lambda C-Type Prints, in which Harman depicts a dystopic future on the outskirts of Edinburgh through the convergence of digital and painting. This is an alternative reality, where people emerge as protanganists with abstracted corrupted ...

Year Created:

2018

Mediums:

Photography, New Media on Aluminium

Rarity:

One-of-a-kind Artwork

Size:

43.3 W x 30.2 H x 1.2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Visual Artist I Edinburgh I Digital Deconstructivist I The Pentland Experiment I The Dancing Plague of 1518 CO-RRUPTED is a collection of Harman’s digital images; images that he has deliberately corrupted, through a specially developed algorithm. From selfies on our phones to medical scans, digital images play an essential role in the way we communicate information. However, digital images are always subject to a range of corruptions such as blurriness, grainy noise, missing pixels, and colour misrepresentation. Harman has always been interested in this area of discordant interference, whether it is from an old flickering tv or irreverent brushstrokes on canvas. The beauty revealed by lost transmissions and corrupted imagery pushed Harman to develop an algorithm that deliberately corrupts digital files as directed. This algorithm is “trained” to recognize the ideal level of corruption required by Harman, by taking in a large amount of data and extrapolating the complex parameters that define the digital images he is creating — including variations in texture, color, light, shadows, and edges. As a result, this exhibition transmits the binary nature of Harman’s practice; both painting and digital. Within the deliberate misrepresentation, traits of venality and demoralisation are observed. Within the corruption, there is a breaking up of the information, which leaves the viewer to interpret the space between abstraction and figuration.

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Curator - Erin Remington

Erin Remington, Curatorial Director