Photography, Color on Paper
Size: 39.4 W x 51.2 H x 0.4 D in
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This is the only one Artist Proof print in an edition of 5 + 1AP large prints. It is a high-value collectible print because the rest of the prints from this edition have been sold. Artist Proof Print was left for sale as the last one. This is the opportunity for true collectors who want to own something really valuable and exclusive. Street-style photodocumentary of sleeping sunbathers was published in 2013 and instantly gained a lot of attention from the media and the art world. As a result, it has landed on the covers of established magazines and been published by media outlets such as The New York Times, The Guardian, ELLE, BUILD, Du Monde, International Photo Magazine and many more. The project ‘Comfort Zone’ was exhibited worldwide during art festivals, gallery exhibitions, and museum shows. It was honored with many art prizes by different award organizations and institutions such as The Royal Society of Photography. This is a one-of-a-kind opportunity to own a photograph from a collection that became part of and perpetuated our contemporary culture. It's a good investment strategy because the value of this project will increase over time. This is a museum-quality large print that has been produced using Giclee printing technology on archival acid-free paper. The print has +3cm extra margins on each side. The print is signed, numbered, and comes with the Certificate of Authenticity. If you have any further questions or if you are interested in owning a full collection of all 25 prints, don't hesitate to get in touch with me via email email@example.com
Photography:Color on Paper
Size:39.4 W x 51.2 H x 0.4 D in
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Visual perception together with a creative process is very much influenced by the things that have been learned while working as an architect. I was deeply interested in human behavior and habits – I worked around or with them. Now, as for the artist, the field of interest stayed the same – I question what affects our actions in a certain way and can these things be changed. I operate in a laboratory where creative thinking serves as a foundation for experiments that are trying to envision our behavioral boundaries. As an artist, I document, transform, recreate or get rid of them. It is a delight obligation to take mundane, banal objects or occurrences and strip them to their basic concepts which work as a refreshment, helping us to find things that have been forgotten or taken for granted. My creative style is very much affected by my architectural background as well: the process is systematic; all my artistic decisions are calculated and I’m always looking for the most hygienic expressions so ideas would become as clean as possible.
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