Disruptive Color VII - Limited Edition of 2 Photograph

Emanuele Giusto Kantfish is an Italian digital artist who works with images, videos, installations, films and writing. He observes reality by questioning everything. For him, reality does not exist without an observer. In his artworks the “real” becomes something inspiring “more than real”. “““I like to place these art images in the spaces of daily life or exhibitions, to generate an immediate impact that inspires to break away in an intimate seduction that induces to dream.””” -- says Kantfish. 
 His images are the results of photography and a personal digital technique. They are a mix of documentary elements, reports as well as creative solution of lights and personal techniques. As a creative author he believes in the Renaissance idea of a broad and transversal culture. Deeply interested in anthropological research and philosophical points of view, he observes reality in its full complexity. His images were published in major media in Italy, Spain, UK and USA (El País, L'Espresso, XL Weekly, Guardian, Foreign Policy, etc.). Kantfish is a journalist of the Official National Association of Italian Journalists since 2002 and worked and collaborated with international magazines and media, TV, radios, publishers and national and international agencies. He holds a degree in Law (University of Higher Education of Perugia), thesis “The therapeutic cloning as a legal problem”. He completed the “International Master of Artistic and Documentary Photography and Image Technique”, at the EFTI School of Madrid. He has published a book with the important Italian publisher Feltrinelli and worked with important social institutions around the world, such as the FAO of the United Nations (World Water Day official video). He was selected at prestigious prizes. He is currently in postproduction of his first documentary film “El Dulce Sabor del Éxito” (eldulcesabordelé). His images are distributed by agencies, galleries and agents. He also works on publishing projects for brands and institutions.