









Photography, Color on Aluminum
35.4 W x 23.6 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
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For the world is nothing in itself your mind must give it meaning. And since there is no world apart from your ideas, no matter what meaning is assigned to it by other people, an artwork that is neutral per se, means nothing in itself until your mind assigns a meaning to it. You judge everything you...
2021
Photography, Color on Aluminum
Limited Edition of 10
35.4 W x 23.6 H x 0.4 D in
No
Not Framed
Certificate is Included
Ships Rolled in a Tube
Shipping is included in price.
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Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Cristian Stefanescu is a British multidisciplinary artist whose practice centres on photography and investigates the unstable territory between perception and what we consider to be reality. Working across photography and other visual forms, he considers how images are constructed, how meaning is projected onto them, and what they might reveal about the nature of consciousness and existence.
Stefanescu’s approach to image-making has developed alongside an unusual professional trajectory. Trained in engineering and having spent more than a decade in academia as a Senior Lecturer before moving into information technology and consultancy, he came to art through a sustained engagement with systems, structures and ways of understanding the world. Art and photography have been part of his life since his teenage years, gradually becoming the central means through which these questions could be pursued.
His work moves between the visible and what the mind brings to it. An image can begin with something recognisable and become a way of asking what it means to recognise anything at all. Perception becomes both subject and method: what we see, what we expect to see, and what we unconsciously add to what is in front of us. His photographs and related works resist fixed interpretations, opening instead onto questions of memory, projection, consciousness, belief and the construction of meaning.
At the centre of Stefanescu’s practice is a persistent question: what, exactly, is an image capable of telling us about the reality we think we inhabit?
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