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Elemental #140 The view North East across the river Chess Valley Photograph - Limited Edition of 5

Michael Rawling

United Kingdom

Photography, Color on Paper

Size: 33.1 W x 23.4 H x 0.4 D in

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$1,214

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About The Artwork

Part of Michael Rawling’s Elemental Series striving to represent the landscape more completely than historical, Pastoral art: Liquid, organic and mineral samples are collected at the site of the picture - from the very place depicted within the photograph - and bonded with the film. The resulting image is created both by the hand of the artist exposing light on to the film and also by the physical elements of the landscape - the resulting image created more deeply representative of the landscape itself. Liquid, organic or mineral samples are collected at the site of the photograph - from the very landscape depicted within the photograph - and bonded with the film over 6-12 months: the resulting image created more deeply representative of the world we experience. Site Chess Valley, Hertfordshire, South East UK. Found Materials River water, moss, wild watercress, reeds, algae, lichen.

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:5

Size:33.1 W x 23.4 H x 0.4 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Michael began a fascination with image-making early, having a film camera from the age of 13 and the creative process has fascinated him through the Epsom School and Bath School of Art, Michael’s degree show consisted of machines, sculptures and self-evolving paintings using technology, chemicals & organic materials. This continues today with the Elemental Series, where natural elements and compounds are collected from the very location depicted within the photograph and the resulting scenes you see in Michael’s work today are created not just by light on film but by naturally occurring liquid, mineral elements and organic matter from the scene and chemically bonding to the film over several months, the resulting Landscapes are created more completely from the scene pictured itself. Echoing ancient alchemical methodologies, the process of production of the images and their resulting mystical appearance both reflect the ups and downs of the search undertaken by an artist to probe humankind's place in nature and in our own spiritual landscape. Michael does not copy & paste, re-arrange or collage external or internal elements into the picture in Photoshop or similar editor - they are created only by his process’ interaction with nature and natural elements.

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