Epirus - Limited Edition of 3 Photograph

New, constructed and idealised realities emerge from a process of deconstruction and subsequent reconstruction in the series Symmetry. The project questions perceptions of reality. Surprisingly, these images are entirely convincing and it is not immediately obvious what is happening in them. But are they real? How do we know and is it necessary to know at all? Only the meticulous viewer will notice that the two halves of the pictures do not always join up perfectly. This is to state that perfect symmetry does not occur in nature, just as there is no perfect, absolute reality. Perfection, including symmetry, is an artificial (i.e. human-made and therefore un-natural) concept. There is also a strong environmental element in this work: There are suggestions that our planet may be uninhabitable by the turn of the next century and that important tipping points have already been reached. Nature and scenery will then only exist as a constructed, artificial and idealised reality. The images in this series are as unreal as the scenery, on which they are based, may become in only fifty to eighty years from now. The photograph shows a constructed mountain range on the Greek mainland as seen from the Ionian sea. The paper used is Awagami Kozo Thin White. The fibres are much longer than those from materials used in Western papers. They produce exceptionally strong paper. The weight of this archival (ph neutral) paper is 70gsm, which means it is translucent. I am using this paper for prints from the series Symmetry because it supports and enforces my comments about the environmental element in this body of work. The dimensions quoted are the size of the paper. There is a white margin around the actual image.