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Photography, Color on Aluminium
Size: 30 W x 20 H x 0.5 D in
Ships in a Box
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184 Views
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Artist featured in a collection
Rebecca Skinner’s “Faded Footsteps” is a 20 x 30 inch color metal print of a blue wrought iron staircase in an abandoned school. With satin finish, the image is infused directly into metal making it waterproof and easy to clean. This frameless metal print is wired and ready to hang. The artist’s signature and edition number are located on the back. With breathtaking depth, true vibrant color and amazing detail “Faded Footsteps” makes an excellent addition to your home or office. Edition of 6. Abandoned buildings serve as the focus of Boston-based Rebecca Skinner’s most recent series of photographs. She seeks to immerse the viewer in the scene, intertwining them and the location in a single narrative of nostalgia and respect for the suspended moment. She portrays these facilities not only as preserved instances of a forgotten time, but as the summation of the place’s history and beauty. Skinner studied at the Rhode Island School of Design, RI. BostonVoyager and Upworthy are just a few publications that have featured her widely shown work.
2018
Color on Aluminium
6
30 W x 20 H x 0.5 D in
Not Framed
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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Rebecca Skinner photographs abandoned spaces throughout the United States. She is a modern-day urban explorer seeking unique neglected structures and desolate places. Her subject matter includes images of large open spaces and details such as peeling paint and rust. Texture, color and light play an important part in her image making and she is attracted to the beauty of these places as well as the forgotten history. Time is of the essence as some locations have since been demolished or restored, while others remain frozen in time. Danger is often present, whether it be from rotten floors, hazardous materials, or unexpected inhabitants. She never goes into these places alone and is strongly invested in leaving no trace. Working with tripod and natural light, Skinner does not stage her photographs — there is already a story to be told without making any adjustments.
Artist featured by Saatchi Art in a collection
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