Photography, Ink on Paper
Size: 30 W x 36 H x 0.1 D in
Ships in a Tube
Featured in the Catalog
Artist featured in a collection
Artist Proof 1of 2. This portrait of Frida Kahlo is made up collected street posters and magazine fragments, movie posters, photographs and spray paint. Ultrachrome Pigment print on archival, 300gsm matt surface paper, with a 2 inch white border around the print for framing, Artist Proof #1 of 2. Signed, numbered, dated au verso. Peter Horvath exhibits in museums and galleries globally, and his work is included in permanent collections internationally, including the Nion McEvoy collection, and a new addition in 2016 to the Whitney Museum of American Art. He is the recipient of commissions from Rhizome.org at The New Museum, NYC and Turbulence.org New Radio and Performing Arts, Boston. Exhibitions include the Whitney Museum Of American Art‘s Artport (NYC), Museo Tamayo Arte Contemporáneo (Mexico City), the Musée national des beaux-arts du Québec (Québec City, Canada) and FILE Electronic Language International Festival (São Paulo, Brazil). Horvath’s sophisticated collage assemblages combine elements invoking an improvisational jazz like cacophony inspired by contemporary imagery, street art and modern day culture.
Photography:Ink on Paper
Artist Produced Limited Edition of:2
Size:30 W x 36 H x 0.1 D in
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Peter Horvath is an assemblage and new media artist. Exhibiting in museums and galleries globally, his work is included in numerous permanent and private collections. Embracing digital technologies at the birth of the Web, he created audio/video narrative works through selective editing of film footage and the use of his early collages. His assemblage works similarly focus on deconstructing and recontextualizing imagery through collage. Merging street ephemera, movie posters, photographs, ink, acrylic and spray paint, Horvath’s densely layered assemblage portraits reflect on his fascination with media consumption, cultural icons and urban decay.
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