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Geometric - Italian marble - Limited Edition 1 of 50 Photograph

Alessandro Nesci

Italy

Photography, Digital on Paper

Size: 17.7 W x 23.6 H x 0 D in

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$610

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About The Artwork

Geometric - Italian marble Geometric - Italian marble il limited edition. Each original will be signed by Alessandro Nesci, will have its own certificate of authenticity and will be numbered. Cosmatesque, or Cosmati, is a style of geometric decorative inlay stonework typical of the architecture of Medieval Italy, and especially of Rome and its surroundings, and derived from that of the Byzantine Empire. It was used most extensively for the decoration of church floors, but was also used to decorate church walls, pulpits, and bishop's thrones. The name derives from the Cosmati, the leading family workshop of marble craftsmen in Rome who created such geometrical decorations. The style spread across Europe, where it was used in the most prestigious churches; the high altar of Westminster Abbey, for example, is decorated with a Cosmatesque marble floor.

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:1

Size:17.7 W x 23.6 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

A hard personal experience superimposed on the covid period, which changed my life forever, gave me reason to appreciate even more the strength of color, line and expression. "The Whole goes beyond Form". I enjoy expressing myself with different techniques: painting, drawing, photography. I can imagine that initially the collector or the beholder of my works can be a little crowded out or confused. The hallmark of my work is not found in the repetition of the same technique, again and again, but in some features of the technique itself and. The sign, the theme, the subject... are the way you can recognize my "signature." Living in Italy, every day I live together archeology, painting, architecture and Roman statuary, the Renaissance, the Baroque and all the other great styles, artistic periods and collections that are here, in Rome and in Italy. This is in my history, in my roots. In the history and roots of Western art. I have always felt a fascination for drawing since I was a child. I was fascinated by the idea of translating fantasy stories or even the first knowledge I got in school in images. I remember my notebooks: they were full of stories with drawings and illustrations of what I was learning at school. This is the way I learned new techniques and I improved my abilities: pencil, charcoal, pen, oil-colours, acrylics, using different styles and painting supports. I have painted soft and wavy landscapes, which sometimes are rough and separated by plains. I saw these landscapes in Rome as I was a child and they come to my mind in my every day life. This is the Nature where History traces overlap and they get, in turn, enveloped by Nature. There is a continuous and silent conflict between these two elements. These conflict, together with Rome and its history, its streets, its ruins and of course its colours is the leit motiv of my work. These themes are here, at your fingertips. It's present history. I cannot describe with words what exactly I feel when I'm surrounded by these "strong" landscapes and I try to paint them. I have completed my knowledge on image studying and acquiring certificates on web design and commercial art and working as a graphic designer. At the moment I work in the Public Italian School as an Art Teacher. I took part in many collective exhibits. My works are in private collections in Italy, Europe, Japan, USA, China, Australia.

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