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HEARTACHE' Translucent Depths of Nature' nr. 5 Photograph - Limited Edition of 5
Juliette van Bavel
Netherlands
Photography, Digital on Aluminium
Size: 39.4 W x 47.2 H x 0.2 D in
Ships in a Crate
$1,870
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ABOUT THE ARTWORK
Pure photo, unaltered. 'Heartache' shows the razor sharp cutting into 'the flesh' by intense hurt...on macro level. As you look onto the artwork perhaps you can see or imagine the movement through our heart-muscles by energies that are painful…saluting into a surrender to life, where awaits peacefulness. The aphorism expressing the core of this artwork: "Heartache came To an abrupt halt And right there Awaited God" 25110A1 The series Translucent Depts of Nature contains just 9 photo’s. Carefully selected work out of a large study & production of many years. The artworks are of sublime quality sublimated on aluminum. Shot in a spontaneous scene Juliette van Bavel searches to capture the breaking of light and intense movement. Her pure photography is intense, deeply coloured and dynamic, unaltered, pure original photo. The macro photography that you see here is not staged, nor made in the studio, but a study of “things around us” Juliette is a multi talented artist with a large production of photography, aphorisms, paintings, sculptures and inventions (technical for elderly care a.o.)
Original Created:
2019
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DETAILS AND DIMENSIONS
Photography:
Digital on Aluminium
Artist Produced Limited Edition of:
5
Size:
39.4 W x 47.2 H x 0.2 D in
Frame:
Not Framed
Ready to Hang:
Yes
Packaging:
Ships in a Crate
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Netherlands.
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Please visit our help section or contact us.
Juliette van Bavel
Netherlands
Fine Arts artist, working on abstract series of photography since 2006. My goal is to capture as much movement and breaking of light possible, in order to produce an extraordinary abstract image of objects very common and in origin recognisable. The macro photography that you see here is not staged, not made in the studio but a study of “things around us” that are liable to break so much light in themselves that a new world appears. No editing has taken place and no cutting. You see the picture as pure as it was taken. The photographic series shows carefully selected work, made during recent years.
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