VIEW IN MY ROOM
Photography, Color on Aluminium
Size: 37.5 W x 30 H x 1 D in
Ships in a Tube
Featured in the Catalog
Featured in Inside The Studio
Showed at the The Other Art Fair
Artist featured in a collection
Note: this print is ready to hang as is. The print is face-mounted. Face mounting is a technique that creates a permanent fusion between the face of a print and an acrylic material. The back of the print is fused to an anodized aluminum surface with a 2.5 inch wooden frame that allows for hanging 1 inch away from the wall. Urban Realty, the follow-up to Ed Freeman's widely seen Desert Realty series, is a sometimes critical, sometimes sympathetic, always appreciative look at our very unnatural urban environment, seen through the eyes of photography and the intensifying power of computer manipulation.
Photography:Color on Aluminium
Artist Produced Limited Edition of:1
Size:37.5 W x 30 H x 1 D in
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ed Freeman started his career in the music industry: as a road manager on the last Beatles tour, playing guitar on dozens of pop recordings, writing and conducting orchestral arrangements for Carly Simon and Cher among others and producing over two dozen albums, including Don McLean's immortal "American Pie." Starting twenty-five years ago he gradually transitioned to his other great love, photography. Since then he has published two hardcover books, an iBook and exhibited widely in galleries and museums, both in the United States and abroad. He has been featured in dozens of photography magazines and books and has scores of cover pictures to his credit. His fine art images are in private collections worldwide and in the permanent collections of several prominent American museums. Freeman is widely recognized for his expert and innovative use of Photoshop in creating images that run the gamut from believable realism to pure fantasy. His controversial position regarding image manipulation is that what he is producing is not journalism but fine art – pictures that are to be appreciated for their intrinsic esthetic value rather than for their accuracy in depicting an actual event or place in time.
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