




Photography, Digital on Paper
9.8 W x 9.8 H in
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“La passione ci consacra alla sofferenza, giacché, in fondo, essa è la ricerca di un impossibile.” "Passion consecrates us to suffering, since, after all, it is the search for an impossible." George Bataille Fine Art Print, Cotton 25x25 cm Print Limited 1/3 Svizzera/ Italia 2019 Collaboration wit...
2019
Photography, Digital on Paper
Limited Edition of 3
9.8 W x 9.8 H x 0.1 D in
Not Applicable
Not Framed
Certificate is Included
Ships Rolled in a Tube
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Italy.
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Alberto Sipione, Dottore in Niente ( Università Internazionale Situazionista ), nasce a Siracusa nel 1968. All’età di 20 anni si avvicina alla fotografia analogica in Bianco Nero. Si interesse ai reportage sociali ed alla fotografia sociale. Venti anni dopo conoscerà personalmente il suo maestro , Pino Bertelli con il quale lo lega un sodalizio decennale. E’ affascinato dalle teorie sull’Urbanismo Unitario sviluppate dall’Internazionale Situazionista, e basa molti suoi lavori sulla Geografia Urbana.Con un passo indietro fra le avanguardie conosce, cura e si lega alle tematiche surrealiste. Tra i suoi cattivi maestri Benjamin Peret, George Bataille e Pierre Molinier. Definisce la fotografia non come un puro mezzo di masturbazioni estetiche e tecniche ma legata alle altre discipline che interrogano e sognano un cambio radicale sociale slegate da qualsiasi commemorazione mercantile.
Alberto Sipione, Doctor of Nothing (International Situationist University), was born in Syracuse in 1968. At the age of 20 he approached analogue photography in Black and White. He was interested in social reportage and social photography. Twenty years later he will personally meet his teacher, Pino Bertelli with whom he links a ten-year partnership. He is fascinated by the theories of Unitarian Urbanism developed by the Situationist International, and bases many of his works on Urban Geography. With a step back among the avant-garde he knows, cares for and is linked to surrealist themes. Among his bad teachers Benjamin Peret, George Bataille and Pierre Molinier. He defines photography not as a pure means of aesthetic and technical masturbation but linked to other disciplines that question and dream of a radical social change unrelated to any commemoration commemoration.
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