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Horse No. 16 - Limited Edition 15 of 25 Photograph

Miles Glynn

United States

Photography, Photo on Other

Size: 39 W x 26 H x 1.5 D in

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371 Views

31

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ABOUT THE ARTWORK

In this series I combine photographs I take of animals and vintage wallpapers. I travel to abandoned homesteads, gritty ghost towns, and buildings dripping with history to photograph these exquisite wallpapers - these glorious relics of an effort made by people who wished to enjoy a simple bit of beauty inside their dwelling on the harsh and hostile American frontier. But time has had its way with these buildings, and in my own way, I take comfort in helping the grace and grandeur of these relics to live on. {see the short video of the story behind this series on the home page of my website} Pictured is a horse which was photographed in Southwest Montana on the edge of the Little Bighorn Battlefield National Monument and the Crow Reservation. The pattern laid over it is a photograph I took of wallpaper from an abandoned homestead on the Northern prairie of Montana. It is printed on exquisite Belgian linen which provides a tactile texture and incredible detail. This particular linen has inherent imprefections in the way it is woven. Therefore each print has its own unique texture, unlike traditional photographic paper in which the prints are identical to one another.

DETAILS AND DIMENSIONS
Photography:

Photo on Other

Artist Produced Limited Edition of:

1

Size:

39 W x 26 H x 1.5 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Miles Glynn (b. 1980) is an American mixed media artist who lives and works in Bozeman, Montana. He grew up the son of a U.S. Army photo-journalist & this experience taught him to see life in frames and compositions. It also sparked an affinity for going to great lengths to create intriguing imagery that tells compelling stories.The common thread throughout Glynn’s work is that of presenting items from our past in his unique way with renewed intrigue and relevance. As a self-taught artist, his work has evolved into something that is part contemporary imagery - part time capsule. Glynn’s mixed media works are at once familiar yet curious, striking yet soothing. Glynn’s work has featured in solo exhibitions in the towns Big Sky and Whitefish, Montana as well as Jackson Hole, Wyoming and San Antonio, Texas. His work is part of private collections throughout the United States as well as the U.K. and New Zealand. 

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