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'Hybrid Flower VI.MMXXIV' Photograph

Marijah Bac Cam


Photography, Giclée on Paper

Size: 15.7 W x 15.7 H x 1.2 D in

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Featured in the Catalog

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Showed at the The Other Art Fair

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About The Artwork

Digital Photography Hybrid. * Solid Wood ArtBox * 40 x 40 cm (Exterior dimensions: 40.8 x 40.8 cm) / 16 x 16″ (External dimensions: 16.3 x 16.3″) * Fuji Crystal Archive, glossy * Acrylic glass , glossy2 mm / 0,08" * Alu-Dibond 3 mm / 0,12" * ArtBox wood frame, white maple 'Hybrid Flower VI.MMXXIV' is part of a new series blend of my photographs and paintings in hybrid digital compositions. It's an ode to nature, to gentleness, to beauty, to art, and above all to the symbolic work I've been doing for a long time on the relationship between surface and depth: what we perceive and what we see. + Hybrid Flower VI.MMXXIV' fait partie d'une nouvelle série mêlant mes photographies et mes peintures dans des compositions numériques hybrides. C'est une ode à la nature, à la douceur, à la beauté, à l'art, et surtout au travail symbolique que je mène depuis longtemps sur la relation entre surface et profondeur : ce que l'on perçoit et ce que l'on voit.

Details & Dimensions

Photography:Giclée on Paper

Original:One-of-a-kind Artwork

Size:15.7 W x 15.7 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?

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Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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