392 Views
33
View In My Room
Eka Sharashidze
Germany
Photography, C-type on Aluminium
Size: 19.7 W x 27.6 H x 0.8 D in
Ships in a Box
392 Views
33
Featured in One to Watch
Artist featured in a collection
Isolation No. 12 / 50 × 70 cm / 2020 / limited edition 15 Each edition is numbered and signed by the artist. This is an original fine art print on Aluminium Dibond, using Canson Arches Aquarelle Rag 310 g paper. ARCHES Aquarelle Rag is made from 100% cotton, enhancing the paper's inherent beauty and texture. The pure white base of the paper is free from any optical brightening agents. When will 'social distancing' end? When will life go back to normal? Nobody knows the real answer. My older artworks “wall people” was full of people who moved. My new idea consists of separating people from each other. So I created a new series called “isolation“ The first shots of the large format minimalist photography series "Wall People" were taken in 2009 and are still in the process of modification and further development. It is a staging of the movement sequences of passers-by on various levels. The viewer gets the chance to understand the movement sequence in one picture. The works initially seem like snapshots, until the eye grasps the order in the chaos. The photography series are part of many collections and have been shown in numerous exhibitions around the world and it was used by the „Musica festival strasbourg“ 2014 for the main image campaign.
2020
C-type on Aluminium
12
19.7 W x 27.6 H x 0.8 D in
Not Framed
Yes
Ships in a Box
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Germany.
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Germany
Born in Tbilisi, Georgia. After completing a monumental painting course at the Academy of Arts in Tbilisi, she moved to Berlin in 1995 where she has lived and worked ever since. Eka Sharashidzes photographs primarily thematicise the difference in the architecture of European cities. Architectural details are extracted from their context and combined in photo collages to produce ornamental constructs. They contain the details which the artist considers to be typical for the architecture of each location. By isolating and repeating only a few specific features, her works show in particular the fractured nature of our recollections. The farther an event lies back in the past, the less we are able to place into context the images which remain in our memories. What remains is a diffuse mixture of visual impressions representing the subjective quintessence of what has been experienced.
Featured in Saatchi Art's curated series, One To Watch
Artist featured by Saatchi Art in a collection
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