2504 Views
36
View In My Room
Photography, Color on Paper
Size: 20 W x 30 H x 1.4 D in
Ships in a Box
2504 Views
36
Artist featured in a collection
This piece is framed with lamina style frameless frame. As foreigners, the expectations that native Koreans hold regarding our cultural knowledge and linguistic abilities are minimal at best. Uttering the words for 'hello' or 'thank you' are often greeted with awkward laughter, which becomes as repetitive as being asked if you can eat spicy food. A slight nod of the head here or a hand gesture there, receiving something with two hands, or holding back your sleeve to pour an elder a drink, the cultural differences become more noticeable with time spent observing. The subtleties are highlighted, or become apparent through witnessing others. Small differences like whether the left or right hand is atop the other for a bow, or how far away the supporting hand is from the pouring hand, meant a lot to past generations of Koreans. But now younger generations of Koreans are prone to the same cultural obliviousness as many foreigners. In a culture that is hurtling away from its traditional past, Korea attempts to grasp hold of the few cultural practices it still adheres to. Actions are gradually learned: they're sometimes taught, sometimes figured out subconsciously, or sometimes acquired through repeated practice. This series draws attention to these intricacies by replicating the Korean bow, displaying a sequence of superimposed images, mapping each model's actions, from standing to fully bowing.
Color on Paper
20
20 W x 30 H x 1.4 D in
Other
Not applicable
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Martyn Thompson is an artist and photographer from the U.K. who established himself as an artist in Korea. After graduating from Northampton University, UK in 2007, with a degree in fine art, winning an award for his final show exhibition piece 'Moulding Myself' he moved straight to Korea. Upon graduating, Martyn pursued his personal studies of Korean video artist Baik Nam June. Producing art and finding exhibiting opportunities in a foreign country was difficult, because at the time there was little activity amongst fellow expatriate artists. A lot of perseverance was required, and after partaking in a few group exhibitions with the International Art Community, Martyn held his first white wall solo exhibition in 2011 at Gallery I in Insadong, Seoul. Despite some minor language communication problems, Martyn has continued working with the Gallery I owner, and forged a strong relationship to create more opportunities for foreign artists living in Korea. He is now considered a very reliable asset and communicative body by several galleries and foreign artists living in Korea. Martyn has exhibited extensively across the country since 2009, putting on four solo exhibitions, partaking in around twenty-five group exhibitions, and having just completed his fifth solo exhibition April 2015. In 2012, Martyn curated two exhibitions in Seoul and co-curated a further two in other cities across the peninsula as well as establishing the Professional Artist's Network Korea. PANK has now grown to include over eighty artists from fifteen different countries in just over two years, and is run by Martyn with a team of six dedicated volunteers. Martyn has curated a further seven group exhibitions, and helped a further five artists to hold solo exhibitions while continuously developing the PANK website and providing a vital resource for English speaking artists living in Korea. Martyn moved back to the U.K. in the summer of 2016 with his family and has recently begun working on a new series of images in a new style.
Artist featured by Saatchi Art in a collection
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