518 Views
4
View In My Room
Photography, Digital on Paper
Size: 27 W x 40 H x 0.1 D in
Ships in a Tube
Shipping included
Trustpilot Score
518 Views
4
Showed at the The Other Art Fair
Artist featured in a collection
La Piscina (The Pool) (2012) was captured at Collaroy Rock Pool last November at the break of day. As with all of my work, these have been captured completely in-camera (no post-production work). As a series of two works, it is the latest from my oldest style, Intermission, developed from 1998. It originates from my fascination for searching for hidden scenes during mid afternoon, away from the action, while life is perceivably happening somewhere else or at other points in time. For me, this is a golden time when light casts vibrant colour and angled shadows, bringing a new and mysterious mood, sense of meaning and significance to particularly insignificant ‘moments in between’. Intermission is largely influenced by American Realist, Edward Hopper (1882-1967), Australian artist, Jeffrey Smart (born 1921), and UK-based album artist and designer, Storm Thorgeson (born 1944) who is known for Pink Floyd's iconic album covers, including Dark Side of the Moon (1973). Available in a Limited Edition of 20: 75cm x 50cm print USD $630 100cm x 67.5cm print USD $1,100 150cm x 100cm print USD $1,600
Digital on Paper
20
27 W x 40 H x 0.1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
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Cade has exhibited internationally and his work is held in private collections across Australia, Singapore, Japan, Italy, France and the USA. Cade’s contemporary, evanescent works emit mystery, mood and romantic grandeur. Using his lens like a paintbrush, Cade intuitively connects with and slows down the transient flow of light and colour, setting them free from their living stasis, through space and time to unveil pure impressions of light. Through Cade’s subliminal, transient and somewhat mysterious exposures, we experience the beauty and greatness of nature’s liquid paths. The impressionistic light reflected in each artwork reveals a considered observation of a glow or the movement of time and it allows the immersive experience to take hold. In this state, we glimpse and contemplate some of the infinite dimensions of underlying realities that exist beyond our eye’s traditional comprehension. The sensible [visible] and the intelligible [invisible] converge and alternate, in and out of focus and sight, momentarily exposing hidden shimmers of light, forms and colour. Light fragments into millions of colours which transform from their non-physical state to one we can almost reach out and touch, like a rainbow. It is through this process of detachment we can perfect our intellect in its “essential nothingness” so that we can reflect on and apprehend pure existence.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Sydney
Artist featured by Saatchi Art in a collection
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