


Photography, Black & White on Plastic
50.8 W x 76.2 H in
This artwork is not for sale.
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
La Venus de Hottentot es un homenaje a Saartjie Baartmann, está mujer que solo por su físico y por su raza fue considerada como una atracción de circo, despreciada y agraviada. La fotografía en sí misma, en mi opiniones una actitud decolonial, en la cual me presento de igual a igual, con nuestra raz...
Year Created:
2019
Subject:
Styles:
Mediums:
Mediums:
Photography, Black & White on Plastic
Rarity:
One-of-a-kind Artwork
Size:
50.8 W x 76.2 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Outdoor Safe:
No
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
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Contact us.Born in San Juan, Puerto Rico, January 14, 1974. She is a multidisciplinary artist, historian and researcher based in Madrid, Spain since 1997. In her artistic production, Cruz explores identity issues, from individual, social, cultural or gender identity, as well as the construction of colonial discourses and their power relations, using her review of historical and bibliographical sources, as well as her own life experience as a Puerto Rican in exile.
The artist continues a characteristic line of reflections in her poetics, related to the detection of the limits to which identity discourses are subject, and which are generally imposed by the mechanisms of power of cultural coercion. The continuous exploration of the colonial and postcolonial realities that cultures live in contact with the West, and that has led this creator to consider politically questioning the very social situation of the Boricua insular context, now leads her to investigate the marks that the gaze of the Other has left over his own identity. The autobiographical allusions that these resin torsos of Brenda translate may belong to the imaginary of any contemporary individual who has faced travel, emigration, the experience of living within a culture that was in principle alienated. Being A woman, mixed-race, immigrant, Puerto Rican, guarantees a pilgrimage journey in the midst of a set of cultural stereotypes where the struggle with a hyperbolic vision of the Caribbean sexual myth becomes a constant. The repertoire of procedures in the bureaucratic institutions that administer power in the old metropolises, traces its traces in the body and memory of the immigrant. Then a simple visa, a stamp, a stamp, a card, a bank card, become the material signs of the limits and borders that will accompany the history of difference, its pages already unfolded in millions of minimal stories that continue. uncompleted.(Suset Sánchez)
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