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LrD110-0009 - Santa Gabriela - Calera de Tango - Chile - Limited Edition of 5 Photograph

Gonzalo Contreras del Solar

Chile

Photography, C-type on Paper

Size: 47.2 W x 31.5 H x 0 D in

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$7,000

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About The Artwork

For many years we had a small tangerine tree marking the entrance of our house, but it suddenly died. We never knew the reason but guess that one of the gardeners emptied the remaining of an herbicide on the surrounding soil. He used to spray it over the parkway, so grass and other herbs would not grow over the gravel entrance. The tangerine replacement was another tree, a Japanese Maple, however it did not last long. It could be the heat and sun that this zone of the house has, or the contaminated soil. Finally we replaced the upper level of the soil and planted an assortment of succulent plants. They have lasted since last summer and throughout the winter as well. After this introduction, and as I could not go out due to the pandemic, they became the subject. Used my Rollei 6008 with Black and White film, images that I published last September on post Santa Gabriela Garden. Although I used Zeiss prime lenses, which were built with 30+ years old technology, images were not sharp and the film grain produced a soft look, and very little depth of field. As I used the extension rings, the depth of field was further reduced. Last week my new Sony A7R IV arrived, so I tested it with taking images of the Succulents. The lens quality paired with the extension rings; I was able to do macro photography. Sharp details where I wanted and beautiful bokeh on the backgrounds. Unframed, Chromogenic paper: C-flex-Poly-based paper high-gloss (Fujiflex Crystal Archive silver halide photographic paper using a Lambda machine). Signed certificate of authenticity.

Details & Dimensions

Photography:C-type on Paper

Artist Produced Limited Edition of:5

Size:47.2 W x 31.5 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Artist Statement I am a passionate photographer, blessed with curious eyes that are constantly amazed by the forms and designs produced by water, and the combination of its temperature and light. No matter how many pictures I take of the same shot, every time I witness a very different expression. My camera and I have been traveling around the world since 1977, registering its shapes and essence, which I have been sharing through large prints, as an homage to its abundance, fragility, and essential existence; trying to convey the feeling I had at the time of the capture, registering most of the time in color and sometimes in monochrome. History It was late 1955 when my eyes peeped at the city of La Paz near the high Andes. Since then, they have learned by capturing sparkles of light. Started at the age of 10 with oil painting and playing in darkroom (full equipment I discovered in my home basement), later taking pictures of what my eyes noticed. Took as much photography courses as I could. Still continue learning and testing/using new digital tools. The influence of Ansel Adams and Vincent Van Gogh work has forged my technique to pursue the chase of Water and capture its beauty, creating a large portfolio during my visits to more than 40 countries. Living in 10 of them and settled at the small town of Calera de Tango in Chile. My work was done using a medium format film camera, and currently with a digital camera. I try to capture the beauty of water in all its forms; denouncing many times the little interest that our civilized world invests in its conservation and preservation. Printing mainly on large size fine art photographic paper, in Color as well as Black & White. The passion of portraying water was funded by me, as well as most of the exhibits I made, except for a few that Sony Chile provided equipment and funding for printing and framing. Water, an important resource, source of life, and protagonist of my exhibitions around the world, that converge between the look of the paused movement, preserving it for future generations, as is the case of certain images that I took at a glacier that has disappeared in less than 20 years. Gonzalo

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