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ÑATITA 03 - Limited Edition 1 of 5 Photograph

Sergio Bretel

Bolivia

Photography, Black & White on Paper

Size: 39.4 W x 59.1 H x 0.1 D in

Ships in a Tube

This artwork is not for sale.

535 Views

25

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Photography From the serie ÑATITAS: Retratos Inertes Portraits of human skulls, each one individually decorated with flowers, sunglasses, cigars and hats are called with the popular name of "ÑATITAS" (flat noses) in Bolivia, but each one has its own name. A series of rectangular Black & white photo...

Year Created:

2012

Styles:
Mediums:

Photography, Black & White on Paper

Rarity:

Limited Edition of 5

Size:

39.4 W x 59.1 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Bolivia.

Customs:

Shipments from Bolivia may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

ARCHITECT - PHOTOGRAPHER Sergio Bretel Born in Lima Peru in 1977 His artistic and photographic approach explores the space of the visible, the invisible and the intrinsic, of traces and signs, of presences and above all absences through new forms of visual narratives exploring the conceptual limits between contemporary art and photography, following a constant multidisciplinary experimentation, using photography as a means and as an aim. His work is exploratory and conceptual, using abstraction as an intrinsic language, in search of a reflection from the way of looking, permanence and reality. Investigating from myths and traditions to the contemporary context, He is interested in the language of the image, human habits and objects as a means of approach and reflection regarding their presence, their incidence and their memory.

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