VIEW IN MY ROOM
Photography, Black & White on Paper
Size: 35.4 W x 43.3 H x 0 D in
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This image is part of a larger body of work, from a series titled Exile. The Exile series was shot in the spring of 2017 in rural Sweden. It was a series that arose from what now feels like a dream, but what then felt like a nightmare. After wedding my British-American wife in 2016, the British Home Office unjustly denied my spousal visa to re-enter the United Kingdom—the country I had called home the previous eight years. The appeal process, we were told, would take anywhere from 4-18 months, during which time I could not return to our British home. My wife and I took the difficult decision to temporarily relocate to another European country (which was easily allowed through her British passport under key EU laws). Our temporary ‘home’ in Sweden came to us by chance, in the flurry of researching economies, linguistic barriers, and housing that would take us and our three small dogs. In the winter haste, we found an isolated home on a hill in the woods in wolf country. There was fairy tale everywhere. The desolate landscapes of Sweden, a country with four species of tree throughout its woodlands, and the falun-red-painted houses and outbuildings, which throwback to a 17th-century tradition, set the scene for entering our own type of fairy tale. The overcast skies and river ice floes reflected back our unease; yet through this unease, I began to take pictures, and to set the scenes that allowed me to enter even deeper into the already dreamlike world in which we found ourselves. Crows appeared. Naked, vulnerable bodies appeared. Forests grew indoors. Yet, models cancelled; props didn’t arrive; shots didn’t go to plan. My wife fell in a frozen river on Easter; one of our dogs nearly died. Every time I thought I had the thread of the story, it shifted. There was fear and there was magic. Our elderly Swedish neighbour, a 70-year-old spiritual medium/painter, appeared to me in an actual dream; she said not to worry about the story—that once all the photos were taken, the story would be clear. Ease settled into my bones again, that is, until my wife fell into the river…. Yet, it was that evening, discussing the day’s events, that the word ‘exile’ was uttered by three of us at the dinner table, and the moonlight illuminated what we all suddenly knew. The series, every photograph, was Exile: the washed-out colours and the bleak landscapes all created the dreamlike reality. Doris, our neighbour, was right; it would make sense once the photographs were taken. The juxtaposition of unrelated elements created the story; the ambiguous, convoluted and yet appropriate nature of a dream came to life in what was our own exile.
Mediums:Black & WhitePaperPhoto
Photography:Black & White on Paper
Size:35.4 W x 43.3 H x 0 D in
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
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Vikram Kushwah is an India born photography artist based in England. He spent his formative years in boarding school in the hills of northern India. Vikram moved to London in 2008 for a PG diploma in photography at the London College of Communication before completing an MA in Photography at the University for the Creative Arts, Rochester in 2010. He has since been practicing in the UK and India between fashion, art, and portrait photography. He was shortlisted by the National Portrait Gallery, London for the Taylor Wessing Photographic Portrait Prize 2019. He was winner of Portrait of Humanity 2023, and Portrait of Britain 2018 and 2019 (awarded by the British Journal of Photography). His regular clients include Vogue, Harper's Bazaar and Elle magazines.
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