

436 Views
3
View In My Room
Photography, Pinhole on Other
Size: 55.1 W x 35.4 H x 0.1 D in
436 Views
3
In her series "City Lights" Karen Stuke not only employs light as a scenic aid, but as a generative instance, producing autonomous image structures. The works rarely bring objects to mind and even their method of production retreats to the background. However, the dimension of movement is not hidden...
2011
Photography, Pinhole on Other
One-of-a-kind Artwork
55.1 W x 35.4 H x 0.1 D in
No
Not Framed
Certificate is Included
Ships in a Box
No
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Germany
lives and works in Berlin, Germany. Karen Stukes photographs leave space for a lot of associations. First of all there is the light. Light allows us to perceive scenarios that take place in the dark. Photographs are light pictures. Light is the essence of photography, its actual medium. But for Stuke light is more than just a medium, it is the subject of photography as well. Then her photos are defined by space. They engage with spaces and are created within them. A third factor that characterises her pictures is the movement. This appears fleetingly, and is not registered in the single decisive moment of a photographic shot, but holistically and with temporal duration.Hours go by while the camera obscura gradually collects and saves the images of darkness. Only towards morning will its intimate view be terminated, as day breaks. What remains are slow, peaceful pictures on the border between closeness and distance, between day and dream. (Gottfried Jäger from the book: The Trilogy of time, or: I dont mind waiting!)
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