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Photography, Digital on Paper
Size: 27.6 W x 19.7 H x 1 D in
Ships in a Tube
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8 Views
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The work has 5cm (˜1.9685”) of white border and is signed on the front and back. Image size 60X40 Total dimensions 70X50 Unframed, shipped rolled. "I think that living is a joy and I wonder if I will ever have the chance to leap back to the roots of this flesh of mine and know myself as I once was. There is my root. Then if some act of mine will allow me to find it, it is hidden in the tangles of the future" "Tangles of the future" continues the author's discourse in the exploration of the landscape of his land and the symbiosis of the body in nature. This shot was taken inside a "ficus carica" which, like olive trees, is potentially very long-lived and can become centuries-old, but unfortunately this too, like many olive trees, is subject to fatal infections. The shot represents the last farewell to this wonderful tangled specimen before it was eradicated from the territory. The naked body is a tribute to the fig tree and the strong sexual connotation of its fruits. The shot is currently on display at the coastal tower of San Tommaso, in Salento, as part of the artist's personal exhibition entitled "IMPATTO".
2023
Digital on Paper
5
27.6 W x 19.7 H x 1 D in
Not Framed
No
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Italy.
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Tatiana Cardellicchio, is a photographic post-producer and visual artist. She graduated in Photography at the Italian Institute of Photography and at the CFP Bauer in Milan in. Since then, she has worked as a photographic post-producer in the field of fashion photography and ADV collaborating with important brands. From an artistic point of view, her self-portraits have been exhibited in various exhibitions and volumes.
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