view additional image 1
View in a Room ArtworkView in a Room Background

50 Views

0

View In My Room

The Human Condition XVIII - Limited Edition of 50 Photograph

Alessia Delvecchio

Italy

Photography, Digital on Gatorfoam

Size: 39.4 W x 39.4 H x 0.8 D in

Ships in a Box

$1,640

Shipping included

Trustpilot Score

50 Views

0

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

The Human Condition XVIII, is a work made using Photography print on Gatorfoam foam board, 39x39x0,8 in. Print #2, edition of 50. Signed back. Ready to hang. No framing required. With the expression Human Condition we mean the totality of the experience of being human. Man is the only living form capable of becoming aware of its flow over time. In this case we want to underline how the man is a born being divided from each other, expressed by being closed in a glass jar embellished or not, because he must learn through the feeling of brotherhood and love to stay united with other men. This work belongs to a series entitled "Synthetic Worlds", in which are represented alternative worlds to reality.

DETAILS AND DIMENSIONS
Photography:

Digital on Gatorfoam

Artist Produced Limited Edition of:

50

Size:

39.4 W x 39.4 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The foundation of my research is on trying to awake awareness in human being, to find the communion with his soul in recognition of his spirituality. Since the first works Apparenze (Appearances, 1998), I have faced the theme of the dualism: the reality is the true appearance of something else. I have taken the viewer, through an artistic performance punctuated by sounds and lights, to immerse himself into the world of the soul (I Quattro Elementi in Pittura e Musica, The Four Elements in Painting and Music, 2002). I have investigated the deepest shades of love (I Volti dell’Amore, The Faces of Love, 2004), I have understood that love and freedom are the foundation of this society and that to become a real human being we must always exceed ourselves (Pensieri su Nietzsche, Thoughts about Nietzsche, 2006). We need a great will to change this world, it is necessary to go back to the principles that have made this reality to be able to fully understand it (The First Man Into Space, 2011 and Archetipi, 2011). In The Time of the Eternity (2014), I investigated myself and I become aware of who I am. With Dress (2016), I'm doing a visual journey along syncretism between religions which tries to reconcile elements of cultural, philosophical and religious belonging to cultures and precedent doctrines to find a link, a tendency to the reconciliation of opposites that has to take place in each of our souls, and it is the desire to know. Synthetic Worlds (2019) is a search of the laws that are the basis of this world, a revelation through the representation of reconstructed worlds in studio. Way Back Into Soul (2024) rediscover the symbolism of ancient legends as a form of meditation to find the most intimate contact with your soul and thus increase your awareness of yourself. I love studying, researching and changing because this leads to evolution. Usually I make series of artworks. My art merges various art techniques such as: digital art, video art, installation, sculpture, photography, oil paintings with music and poetry. In a style that ranges from pop to surreal to conceptual, to awaken awareness of one's spirituality. ALESSIA DELVECCHIO

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands of 5-Star Reviews

We deliver world-class customer service to all of our art buyers.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Global Selection of Emerging Art

Explore an unparalleled artwork selection by artists from around the world.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.