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...in the frame made with white concrete
seen at Kunst & Kürbis Exhibition, Sept. 2021
seen at Treppenhausgalerie, Munich, Nov. 2021
the signature
view to the backside with the certificate
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The sliced pumpkin - Limited Edition of 1 Photograph

Bernhard Schmidt

Germany

Photography, Photogram on Paper

Size: 20 W x 18 H x 1 D in

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$3,670

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About The Artwork

This artwork is one out of about 20 pictures of my series "Ambrosian Fields". Ambrosian Fields is the name of the rectangle area in my photograms made on Ilfochrome reversal color paper in which i did arrange all kinds of eatables. It is mounted on Aludibond and has a white concrete frame. The artist`s signature is located at the fronts lower right corner and within the certificate on the back.

Details & Dimensions

Multi-paneled Photography:Photogram on Paper

Original:One-of-a-kind Artwork

Size:20 W x 18 H x 1 D in

Number of Panels:2

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Bernhard was born in Munich in 1956. When his parents brought him a Minolta SLR camera from a trip to Asia at the age of 16, his passion for photography was completely inflamed. He spent a lot of time in the darkroom developing his films and pictures. A few years later it was clear that he wanted to become a photographer, so he developed a portfolio with which he could apply to the famous Folkwang School in Essen. After studying there, he moved back to his hometown of Munich. Since then he has been working as a freelance photographer. He has worked a lot for fashion companies, advertising agencies and magazines. Photo trips and reports were and are another focus. All the while he was experimenting with photograms. This technology continues to fascinate him to this day. Because of the uniqueness of the pictures, because people or objects touch the paper directly and because there is always a certain secret to it. You can see the outlines, you can see an unbelievable sharpness in the places where there was direct contact with the photo paper. At the same time, there is enough leeway to imagine what the whole thing looked like, what happened before and after the exposure.

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