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5
View In My Room
Photography, Textile on Paper
Size: 13.8 W x 13.8 H x 0.1 D in
Ships in a Tube
147 Views
5
Artist featured in a collection
In my workshop, there are many books on the " Arts premiers". They speak the relationship between the relationship between humankind and mask design. It opens a world of silence and spirituality, which I use as a ground for thoughts and inspirations. Since 2010, the use of materials such as wool, felt, ribbons, threads, strings and ground have allowed me to develop, perfect and collect almost sixties photographed masks. Here are a selection of 20. They present a range of possible outcomes coming from a physical experience between primal materials and communicative atmospheres. The graphic impact of threads with black and white images, the fluffy feeling of wool and felt and the use of string with straws to represent portrait and hair. Between puppet and human figure, photography and craft, those scenes attempt to outline the “figure” of the soul. A symbolic quest for my share of silence. A personal need to get away from the superficial routine, to rise up against the overuse of the body shape in art. My focus is on simplicity, to create a figure as primal as possible. Shaped as a ritual, my working process begins by gathering random materials and ends by photographing the created “figures”. In between, the evolution is visible thought the chronological use of materials. Each choice triggers a new cycle of atmospheres. A process that infinitely nourishes parallel quests/works.
2018
Textile on Paper
1
13.8 W x 13.8 H x 0.1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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PARCOURS Winning the national photography schools competition on graduating from the Ecole Nationale Supérieure des Arts Décoratifs in Paris, Christine Mathieu exhibited her images for the first time. After a 3-year residency/collaboration at the American Art Center in Paris, where she received support from CMAP (Photography Department of the American Center for Artists) to experiment with new media, she founded L’épicerie, the graphic studio which, ever since, has been producing work for public buildings: museums, cultural and social facilities. (colour - material – graphic design – artistic proposals). Over the same period, her participation in events focusing on original graphic creations in France led to her being asked to create artistic installations. Since 2002, the end results of her artistic explorations have also been manifested in constantly renewed forms of photography. Today her images are included in national and international exhibitions and collections. BIOGRAPHY A graduate of the Ecole Nationale Supérieure des Arts Décoratifs in Paris, Christine Mathieu defines herself as a multi-disciplinary and undisciplined artist. “My interest in foreign literature, my work as a graphic designer on historic and memorial sites, my artistic proposals based on heritage objects, and my attraction to ethnographic collections provide me with a range of possibilities to travel in time and space.” “My attention is particularly focused on objects connected to women’s history. Daily objects devoted to feminine tasks, which bear witness to the intensity of this work down through time, across societies and cultures. And then there is finery. Wearing an ornament is not accidental. Every set of finery communicates information. These objects are charged with symbols.” Christine Mathieu’s artistic work visits the ancestral symbolism of these objects that are so ordinary and so extraordinary. In the wake of Louise Bourgeois and Ghada Amer, via Annette Messager, many of her productions also invest the field of textile design.
Artist featured by Saatchi Art in a collection
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