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Photography, Ink on Paper
Size: 20 W x 24 H x 0.1 D in
Ships in a Tube
Featured in the Catalog
Artist featured in a collection
Edition 5/5. Pigment print on archival, 300gsm matt surface paper, beautifully rendered with rich, saturated colour. All paper sizes include 2 inch white border around the print for framing. Signed, numbered, dated au verso. Includes a signed Certificate of Authenticity. Peter Horvath exhibits in museums and galleries globally, and his work is included in permanent collections internationally, including the Nion McEvoy collection, and a new addition in 2016 to the Whitney Museum of American Art. He is the recipient of commissions from Rhizome.org at The New Museum, NYC and Turbulence.org New Radio and Performing Arts, Boston. Exhibitions include the Whitney Museum Of American Art‘s Artport (NYC), Museo Tamayo Arte Contemporáneo (Mexico City), the Musée national des beaux-arts du Québec (Québec City, Canada) and FILE Electronic Language International Festival (São Paulo, Brazil). "Untitled (John Wayne)" is part of the larger body of work titled "American Century". In this series, Horvath reflects on the perceived decay of the United States’ global potency, and the 20th Century American hegemony, as viewed through the nostalgic lens of lost heroes, icons and imagined landscapes. With this series he intersects images of larger than life individuals “architecturally” within constructed vistas, creating an altered, geometric space, that expresses an illusory inner sanctum.
Photography:Ink on Paper
Artist Produced Limited Edition of:5
Size:20 W x 24 H x 0.1 D in
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Peter Horvath is an assemblage and new media artist. Exhibiting in museums and galleries globally, his work is included in numerous permanent and private collections. Embracing digital technologies at the birth of the Web, he created audio/video narrative works through selective editing of film footage and the use of his early collages. His assemblage works similarly focus on deconstructing and recontextualizing imagery through collage. Merging street ephemera, movie posters, photographs, ink, acrylic and spray paint, Horvath’s densely layered assemblage portraits reflect on his fascination with media consumption, cultural icons and urban decay.
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