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View In My Room
Photography, C-type on Paper
Size: 33.1 W x 23.4 H x 0.1 D in
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69 Views
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My city train window presents me with stunning, ephemeral composites of nature, architecture and characteristic urban textures I am compelled to make tangible. The sky's blues, oranges and pinks mesh with overhead power lines and surge into concrete and glass, birthing new shapes, patterns and textures that surprise and please. I am also reminded of Einstein's theory on the relative nature of space and time, where a train window view is a reference point in explanations on the subject. | The Urban Mesh Limited Edition art series comes as archival inkjet prints in Hahnemuhle William Turner matt fine art textured mould-paper, 100% cotton, 310gsm. Vibrant prints, striking depth, unique tactile feel and painterly three-dimensional effect.
C-type on Paper
125
33.1 W x 23.4 H x 0.1 D in
Not Framed
No
Ships in a Box
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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Magdalene Carmen merges dream with street grit, fineArt with popArt aesthetics, evocative with playful-provocative intent in dynamic, abstract-geometric works centred on two subjects: Urban & Woman (fashion / self-portraits). Mediums: digital photography, graphics, glitch effects, AI, English lingo, her body, vocals, poetry/music. Practices art activism (subtly, playfully) in beyond-pretty work that is also social commentary. Key series: 1) Addict: semiotic, digital flag-collages (hybrid of MC's urban photography, fashion (self-) portraits & graphics) articulating the corporeal-spiritual, conscious-unconscious tug of war defining the human condition, besides being intimations of feminine power in necessary contrast with masculine dynamics 2) Give Me A Sign: English lingo x sign satires on #popculture. 3) Her/Dancer: Photographic &/or AI x glitch FX #selfportraits celebrating the feminine form as eternal romantic-erotic art figure 4} Urban Mesh: kinetic, abstract-architectural portraits of Melbourne (AU) from train windows, being this artist's creative travel advocacy supporting Global Goal No. 11: Sustainable Cities & Communities. One of just six contemporary artists for Australia’s inaugural digital billboard Art Prize exhibition (AU Summer 2020) adapted in 2022 for the Big Screen in Fed Square, Melbourne. Regular exhibitor, Melbourne Centre for Contemporary Photography. So far iRL exhibited in London, Melbourne, New York, Venice. Top-100 female digital-NFT artists, exhibited + collected at Makersplace. Featured + galleried artist at Lensculture. Some IRL works in private collections. Also published poet, sometimes alt-pop musician, dancer. Studied: creative writingXjournalism, photographyXfashion design. Works more or less emote these influences / impacts: Banksy's art activism, Guy Bourdin's erotic couture in fashion portraits, PopArt's power, Apple's design minimalism. "The thing about art is: it has its own life. I simply begin with an idea, I play & experiment. And then some instinctual thing moves me one way or another. This is the most joyful thing : when I don't know what will come but I believe I'll get there and then I do. Or I don't and start again. I like the playing part very much, the experimenting / discovering, the excitement about what could be."
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