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Photography, Color on Paper
Size: 23.6 W x 31.5 H x 0.1 D in
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85 Views
3
Artist featured in a collection
War - The Red Rider "And when he had opened the second seal, I heard the second beast say, Come and see. And there went out another horse that was red: and power was given to him that sat thereon to take peace from the earth, and that they should kill one another: and there was given unto him a great sword" (Revelation 6:3 - 6:4) In the current state of climate change, unsettled geopolitics and global health crises, the Four Horsemen of the Apocalypse seem a completely relevant topic for reflection, research and discussion. This is one of a series of four: Conquest, War, Famine and Death. A pigment print on Hahnemühle Photo Rag Fine Art paper (100% cotton, matte, 308 g/m²)
2021
Color on Paper
10
23.6 W x 31.5 H x 0.1 D in
Not Framed
No
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Born in 1968 in Singapore, Charles is a self-taught photographer with a particular interest in floral still life as well as portrait photography. After much travel throughout Europe and the United States and finishing his studies at universities in the UK and in France, Charles first followed a career in London before sharing his time between France and Spain to enjoy a less pressurised environment in which to concentrate on his photography. Charles has a passion for revisiting of the 17th century Dutch floral still life paintings with their fanatical focus on composition and detail. Charles explores this approach by growing most of the flowers and creating the backgrounds and props himself. The final image, composed of flowers not usually in bloom at the same time dotted with insects and other items not native to each other, is the result of digitally compositing hundreds of individual photos with the shadows and highlights added as needed. These “impossible” compositions construct a visual feast that hark back to the golden age of Dutch still life painting, where everything is beautiful and it always spring or summer. Trying to master light and shadow in human portraits was a natural consequence of the still-life work and his inspiration still lies in the Dutch golden age, learning from the Old Masters (Rembrandt, Vermeer, Hals…). The additional element here is the engagement and interaction between the sitter and the audience. Whether the sitter is in costume or modern dress, Charles achieves a fine art painterly effect reminiscent of the mood of the baroque. instagram:
Artist featured by Saatchi Art in a collection
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