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White Sands Symphony Photograph - Limited Edition of 5

Francesco Carucci

United States

Photography, Paper on Paper

Size: 24 W x 36 H x 0.1 D in

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$1,355

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About The Artwork

FineArt print made on Canson Infinity PrintMaking Rag 310 matte paper. Limited edition of 3 prints. Signed and numbered on front (below printed area). Print comes with an holograph and the certificate of authenticity. In what has almost become a tradition in my years of photography, I was walking back to the car when the sky suddenly lit up in front of me. I know that this light lasts only few minutes, so, if I hadn't prepared a composition before hand, and in this case I hadn't, I only had a very short amount of time to choose the subject, place the tripod, mount the camera, compose and shoot. We are talking of quite literally five to ten minutes. I'm used to it, and as much as I love to take my sweet time when I compose, I don't stress out when the opportunity arises, because I know I can compose on the fly rather accurately when necessary. Luckily I had been shooting these small dunes all day and this subject was relatively straight forward to compose: leading lines over leading lines straight to the clouds. When I present images like this one, the question is always "did it really look like that?". Yes it did. My photography is about recreating the feelings I had in front of a scene. I heavily post process and work on my images (on average from 5 to 10 hours) with the intent of faithfully carrying across to the viewer what I feel in front my subject. And that requires a lot of work.

Details & Dimensions

Photography:Paper on Paper

Artist Produced Limited Edition of:5

Size:24 W x 36 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

For more than fifteen years I’ve been working as a software engineer, mostly creating computer graphics for videogames: as a blend of creativity and technology, my job fostered not only my engineering side, but also my artistic sense by having been in constant contact with the amazing creative people I’ve been working with through the years. I originally picked up photography almost ten years ago to be able to understand their minds and their language, which is not the language of math, but that of colors and forms. I was hooked. Through mastering the technical aspect of photography, along with improving the artistic vision, my photographic work has been constantly growing since: I started as a commercial stock photographer, my work is represented by stock agencies such as Getty Images, Shutterstock, Spaces Images and Alamy. It has been featured on several travel magazines, books, advertisement campaigns and used by companies such as Apple. I place great importance on constantly improving my photography technique and tools, the viewer deserves the best quality I can provide in my images and the emotions they convey are enhanced and strengthened by clarity. My work is unfolding towards conceptual Fine Art Landscape Photography. Where landscape photographers traditionally shy away from including the human element in their work, I embrace it: most of my images show how men have a positive impact on the landscape they touch, modify, enhance, balance. The human element, being the main subject or marginal, is present in my images to remind the viewer that we are here to stay, and we can stay with beauty and grace.

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