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Window (Gloucester House) I Photograph - Limited Edition of 5

Amelia Lancaster

United Kingdom

Photography, Color on Paper

Size: 37.4 W x 55.1 H x 0.1 D in

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Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Since November 2017 I have been Artist in Residence for the London Borough of Brent on The South Kilburn Housing Estate. I am documenting the urban transformation of the area during an extensive period of regeneration through exclusive access to all the empty blocks, demolition, and construction sites. This combines my interests in Brutalist Architecture and Modernist Housing Estates. My work examines the interface between architecture and its inhabitants, with reference to the regeneration of the South Kilburn Estate. In exploring the stripped-out blocks throughout the project, I have tried to capture the lost community by looking for fragments of past lives. In these empty interiors I focused on details that hinted at the former glory of the rooms, imagining them once full of life. The pictures depict the stillness felt in these deserted spaces and emphasizes the departure of life. In Window Triptych, the wallpaper in the central picture hints at the room’s former glory. Despite the condensation, mottled damp, flies, and mouse droppings, the sunlight through the net curtains infuses a warming beauty. A feeling of spiritual departure is projected as traces of lives once lived are about to be demolished forever. While there is a sense of ‘an end of an era’ in these images, and a critical examination of the failure of an older model of social housing (e.g. ‘streets in the sky’), my practice also looks forward to replacement of these buildings. By engaging with former residents through workshops to understand their feelings and attitudes, and through portraiture, I have sought to stress the human dimension to the project. Thus, my practice has allowed me not just to channel my perspective and vision, but that of those directly affected by the regeneration.

DETAILS AND DIMENSIONS
Photography:

Color on Paper

Artist Produced Limited Edition of:

5

Size:

37.4 W x 55.1 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Amelia Lancaster originally trained as an architect and set designer before becoming an artist and photographer. She won a National Set Design Competition to work at the BBC and worked as an Art Director before becoming an artist. Since November 2018 she has been Artist in Residence for the London Borough of Brent on The South Kilburn Housing Estate. She is documenting the urban transformation of the area during an extensive period of regeneration through exclusive access to all the empty blocks, demolition, and construction sites. This combines her interests in Brutalist Architecture and Modernist Housing Estates. Recent work from these endeavours was exhibited at The Royal Academy Summer Exhibition 2019, Ashurst Emerging Artist Exhibition 2019 and The London Festival of Architecture 2020. Amelia’s work has also been shown at The Proud Gallery and The Courtauld Institute East Wing Biennial and this year at The Bhavan and Open Eye Galleries. In 2019 Amelia was commissioned by Brent Council to take a series of portraits to celebrate the lives of Brent council tenants for The Addison Act Centenary commemorating 100 years of council homes and the start of social housing. These were exhibited at the Brent Civic Centre with The Chartered Institute of Housing. In 2019 she was invited by FUBUNATION to collaborate on an exhibition at the Roundhouse fusing movement and imagery. This work was later shown at Velorose in partnership with The Whitechapel Gallery’s First Thursdays. Amelia’s Southbank work transforms architecture through spatial abstraction. Contrast and colours are manipulated to accentuate shapes and structure, creating ambiguous spaces and new concrete compositions. Colour is used to flatten the image and negative space is also sometimes explored to locate latent configurations beyond the human eye. Where her Southbank series places a strong emphasis on form, and is consciously non-figurative, her regeneration work examines the interface between architecture and its inhabitants with particular reference to the South Kilburn Estate.

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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