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Work in progress
Chintz wetlands weave is a combination of two giclée prints, the same scene but one has been manipulated with the addition of a heavy lace pattern. Woven together the piece has a beautiful depth.
This work was a finalist in the Lethbridge 10000 small scale art awards in Australia.

Details
♥ photos professionally printed with archival inks
♥ weaving measures 10.75x10.75"

About my work
These highly patterned works explore the way we physically view our environment and the idea that not everyone sees things in the same way. I realised in my early twenties that the fine veil of dancing, colourful dots I see over everything and had grown up with, is a view of the world not perceived by everyone. This is my experience I want to share; perhaps you see something similar or maybe it looks alien and unfamiliar. But no matter how we see the world, pattern exists all around us both man-made and naturally occurring; from the beauty and complexity of fractals in nature to the printed fabric of your clothing. Even on the calmest day and in the simplest of environments, our surroundings that may at first seem static and plain; are full of movement and decoration.

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chintz wetlands weave Photograph - Limited Edition of 1

Jennifer Bell

Australia

Photography, Digital on Paper

Size: 10.8 W x 10.8 H x 0.1 D in

Ships in a Tube

SOLD
Originally listed for $255

89 Views

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Artist Recognition
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Featured in the Catalog

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Artist featured in a collection

ABOUT THE ARTWORK

Chintz wetlands weave is a combination of two giclée prints, the same scene but one has been manipulated with the addition of a heavy lace pattern. Woven together the piece has a beautiful depth. This work was a finalist in the Lethbridge 10000 small scale art awards in Australia. Details ♥ photos professionally printed with archival inks ♥ weaving measures 10.75x10.75" About my work These highly patterned works explore the way we physically view our environment and the idea that not everyone sees things in the same way. I realised in my early twenties that the fine veil of dancing, colourful dots I see over everything and had grown up with, is a view of the world not perceived by everyone. This is my experience I want to share; perhaps you see something similar or maybe it looks alien and unfamiliar. But no matter how we see the world, pattern exists all around us both man-made and naturally occurring; from the beauty and complexity of fractals in nature to the printed fabric of your clothing. Even on the calmest day and in the simplest of environments, our surroundings that may at first seem static and plain; are full of movement and decoration. Sold unframed

DETAILS AND DIMENSIONS
Photography:

Digital on Paper

Artist Produced Limited Edition of:

1

Size:

10.8 W x 10.8 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Jennifer Bell is an Australian contemporary artist known for her highly decorative paintings and paper weavings. Her intricate work explores pattern and visual perception often highlighting the beauty in the ordinary. Jennifer's work is influenced largely by her experience of a little known neuro-ophthalmologcal condition which means she sees patterned dots in her visual field, continuously. These dots appear as a fine veil of dancing, kaleidoscopic colour that can never be turned off. Even on the calmest day and in the simplest of environments, surroundings that may seem static and plain to others are full of movement and decoration. Jennifer shares this unique experience of the world through her art. It has been suggested in recent years as more becomes known of the condition that artists such as Georges Seurat, the pioneer of pointillism, Van Gogh and Yayoi Kusama famous for her dots, may also have experienced the symptoms of visual snow disorder. It may be a view not perceived by everyone, but no matter how we see the world, pattern still exists all around us both man-made and naturally occurring; from the beauty and complexity of fractals in nature to the printed fabric of your clothing. Jennifer’s artwork often incorporates recycled materials and images of discarded and decayed objects emphasising that pattern and beauty can be found in everyday things. Understanding that beauty exists in the imperfect. During four years spent in New Zealand she ran her own gallery in the picturesque Wellington suburb of Island Bay. Today she works a full time independent artist from her sunny studio and her work is represented in private collections throughout Australia, New Zealand, North America, Europe, The Middle East and Asia.

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Artist featured by Saatchi Art in a collection

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