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Photography, Color on Paper
Size: 47.2 W x 15.7 H x 0.1 D in
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Oblivium is a photographic project by Karim Carella previewed at the Affordable Art Fair in Milan 2020. Here he proposes some shots taken between 2017 and 2019, offering us multiple perspectives of his new way of conceiving photography. Karim investigates new fields of research deeply inspired by inner life, in an attempt to sublimate form as a symbol, simulacrum, icon of one’s values. The love for nature, for the sea in particular, and man’s awareness of the threat, lead him to select progressively more and more abstract forms in which to dissolve almost every call to reality. An unknown alphabet, synthesized in a primordial sign of horizon, obsessively repeated in its almost infinite combinations. Long exposures and the water that fades into a flow of tones that softens the sea, clouds, sand, in a captivating dream flight. Primordial elements scrambled on a single plane, and then redesigned on layers with different coordinates, on a rarefied, mobile, fantastic background. It is a research in which the photographic language embarks on a courageous journey towards the abstract dimension. A process of transcendence that brings us back to the avant-garde of the twentieth century. --- "π-K5" is part of a photographic project titled "Oblivium". --- LIMITED EDITION OF 5 --- Epson Carbon Inkjet print (Giclée print) on Hahnemühle Fine Art cotton paper "Bright White" 310 gsm. Selenium toning. Comes with a certificate of authenticity, signed and numbered. --- Hahnemühle Photo Rag® Bright White is a bright white cotton art paper with an inkjet coating specially tailored for FineArt printing. The lightly defined felt structure and characteristic soft Photo Rag® feel gives every FineArt print an incredible depth and three-dimensional appearance. Combined with the matt premium inkjet coating, this produces impressive FineArt prints boasting vivid colours, deep blacks and extraordinary reproduction of detail.
2019
Color on Paper
5
47.2 W x 15.7 H x 0.1 D in
Not Framed
No
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I began to express myself artistically at the age of seven during primary school by making drawings and small landscape paintings. I maintained my artistic vocation and predilection for the landscape even in my adolescence when I discovered and started using the camera, strongly inspired above all by the majesty of the mountain landscapes that were the protagonists of my summer holidays. I continued to cultivate my hobby for photography for a long time until as an adult, after twenty years of work as an analyst and head of statistics and market research, I decided to devote myself full time to photography. I'm a mountain lover but at the same time I'm a man by the sea, so I have portrayed landscapes of various kinds, perfecting over time my self-taught photographic technique thanks to a deep and careful reading of essays and author's texts, as well as a meticulous and scrupulous observation of the techniques of the great contemporary photographic artists. In the first period of my professional career I found my dimension in figurative, monochromatic landscape photography, in long exposure and with a predominantly square cut. This minimalist and austere style has allowed me to give my compositions a sense of deep stillness and intimacy, almost isolating the scenes and subjects immortalized in space and time. Figurative landscape photography was joined in a second phase of my artistic career by an important abstract imprint, the result of an intense work of internalization and experimentation, in which the landscape subject is stripped of its figurative characteristics to transform itself into an image indefinite and ethereal that in denying the representation of reality wants to exalt the cry of a nature that screams and rebels against the threat of the human being. In these abstract subjects, shapes, lines and colors are exalted and emphasized to create images of strong visual and emotional impact. My photography is slow and silent, and it is in the silence of an isolated beach or in the unreal stillness of a green hill that I find my deepest artistic inspiration. The first light of dawn, so soft and suffused, the gray skies full of clouds, the marine horizons, the rocks that emerge from the water, the brown silhouettes of solitary trees, are among the favorite elements that often come to life in my photographic compositions.
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