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African Migratory Locust #25 - Limited Edition of 1 Print

Hannelie Coetzee

South Africa

Printmaking, Monotype on Paper

Size: 7.9 W x 11.8 H x 0.1 D in

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Originally listed for $250

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ABOUT THE ARTWORK

Printmaking: Monotype, Watercolor on Paper. Hannelie Coetzee hosted a second #FireGrazer burn at NIROX Sculpture Park titled Locust & Grasshopper On the 20th of May 2017 Hannelie Coetzee presented the second Art-Science #FireGrazer performance at the NIROX Sculpture Park, in partnership with University of the Witwatersrand scientists Sally Archibald (Ecologist) and James Harrison (Entomologist), Working on Fire, NIROX Sculpture Park and 5D Surveys. This performance entailed the live burning of imagery created by Coetzee onto the grassland, building on the artistic practice of Coetzee which uses art as a tool to communicate complex systems and build awareness of pressing ecological issues. This #FireGrazer artwork, titled Locust & Grasshopper, is a follow-up and re-burn of the 2015 artwork Eland & Benko. Members of the public were invited to join Coetzee and partners as they live-burnt a new image into the grasslands. This burn will be superimposed over the 2015 #Fire grazer burn Eland & Benko much like re-imprinting experience so that the landscape ‘remembers’ the previous burn. About the project and the event Coetzee explores human relations with nature and how it evolves. She works closely with various scientists to learn and understand their inquiries, whilst looking for leverage points to communicate important findings in the science through her artworks. As the parallel inquiry of Art and Science develop a robust relationship, they learn each other’s language with the aim to apply a more sustainable harmony between these disciplines and nature. The audience will joined the artist on a 6-km hike to view the #Firegrazer performance followed by a small solo exhibition of Coetzee’s two-dimensional work at the NIROX Sculpture Park pavilion, the watercolour pressings of grasshoppers in this series.

DETAILS AND DIMENSIONS
Printmaking:

Monotype on Paper

Original:

One-of-a-kind Artwork

Size:

7.9 W x 11.8 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My works are often made from industry waste, such as mining core, mainly to reduce my environmental footprint, and to a lesser extent because of limited capital. When making site specific work, I engage with the public moving through that space to ensure the work has meaning and participatory capacity for them. This practice, along with my concern for the environment, has led me to make work that has an actual impact on the environment. PUBLICATIONS: Report on the Anthropocene Visioning Workshop, 15-18 November 2016, Cape Town, South Africa. GRAID project workshop. Centre for Complex Systems in Transition, Stellenbosch University, South Africa. Authors: Hamann M., Biggs R., Pereira L., Preiser R., Hichert T., Merrie A., Cloete D., Poskitt S., Loubser G., Salley R., Blanchard R., Coetzee H., Fioramonti L., Gomera M., Hermanus L., Johnson G., Johnson L., Karakashian A., Khan Z., King N., Mannetti L., Mbete S., Moteane S., Mthembi F., Mumba M., Nilsson W., Nkontwana P., Odendaal P., Sanchez Betancourt D., Shimahara E., Xaba N., Ziervogel G. This report should be cited as: CST-GRAID. 2017. Climate and Art WMO BULLETIN 67 pg 41-51 By Erica Allis , Coleen Vogel , Hannelie Coetzee , Michelle Rogers AWARDS, Invitations & GRANTS RECEIVED 2018 Johannesburg City Transformation & Development Agency invitation to attend the Portland Oregon Eco Disctricts Workshop invitation to develop green corridors through Public art with the artists collective of active citizens, Water for The Future (NPC 2018). 2017 South Africa Trade and Industry funding to scientifically research and develop a new patented innovation public art vertical gardens at NMMU to show the new Wild Wall Tile technology invented by the artist. 2017 University of Stellenbosch Complex Studies Department and Stockholm Resilience Institute’s Anthropocene resilience development colloquium, presenting Eland and Benko 2015 as an example of how arts and science mutually benefit through partnership. 8-9 May in Johannesburg. 2016 (BASA) Business and Arts South Africa small business award with Kirchhoff Surveyors for Eland and Benko, Nirox Sculpture Park 2015. 2016 University of Stellenbosch Complex studies department and Stockholm Resilience Institute’s Anthropocene scenario workshop to imagine a better future. 2016 Clare and Eduardo Villa Grant new sculpture, Glinsterjuffertjie, 2016 for Nirox Winter show co-curated by Yorkshire Sculpture Park’s Helen Pheby.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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